An investigation of memory, both personal and national, that broadens the dialogue on colonialism, complicity, and cultural property. In March 2001, artist and writer Catherine Lord returned to the Commonwealth of Dominica, an island of middling size halfway along the Caribbean archipelago, one of the more insignificant of the fifty-nine colonies of the British Empire, and the place where she was born in 1949. On the last day of her stay, Lord was...