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Mass Market Paperback The Doom That Came to Sarnath Book

ISBN: 0345331052

ISBN13: 9780345331052

The Doom That Came to Sarnath

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Format: Mass Market Paperback

Condition: Very Good

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Book Overview

Collection of poems of Alberto Segismundo Cruz, Philippines' Poet Laureate (1947). The lyric poems paint in words, in classic Tagalog, the artist's vision of the earth, man, land, water, rain, the... This description may be from another edition of this product.

Customer Reviews

5 ratings

Lovecraft stories too often overlooked

This is a wonderful collection of some of Lovecraft's lesser known works, the majority of which come from his earlier writings. It is actually a pretty eclectic sampling of styles. One finds traditional horror, dream-enshrouded tales of unknown vistas, short "prose poems," collaborations with other writers, and even a science fiction story. While none of these stories can claim a place in the Cthulhu Mythos, several do presage its beginnings and offer glimpses of the universe of the Great Old Ones. "Nyarlathotep" introduces us to that dark god, "The Festival" refers to mouldy tomes such as the Necronomicon of the mad Arab Abdul Alhezred and offers us a glimpse of pagan practices, Polaris speaks of the Pnakotic manuscripts, and "The Nameless City" takes us deep underneath the desert sands to a forgotten abode of ancient, nonhuman creatures. Many of the tales take us to Dunsanian dream worlds where beauty and unearthly horror are separated by a veil of nothingness. "In the Walls of Eryx," cowritten with Kenneth Sterling, is very interesting in that it represents Lovecraft's only real foray into science fiction, a more than successful foray in my opinion. The only story I find less than first-rate is the tale "Imprisoned With the Pharoahs," a work ghost-written for Harry Houdini--passed off as a true story of the great magician's visit to Giza's pyramids; Houdini's presence as the protagonist makes the story seem forced and does not allow me to fully appreciate the elements of horror Lovecraft injects into the tale.Lovecraft is, to some degree, an acquired taste, and for that reason I would not recommend this book for first-time readers. Any fan of Lovecraft will delight in these tales and mentally take note of every element that relates to the whole of his fiction, but the Lovecraft initiate may well become frustrated with the Dunsanian elements of many of these stories and may not fully appreciate the remarkable craftsmanship of the author; furthermore, the collaborations in this collection are clearly not Lovecraft's greatest works. Those looking for "horror" may well be disappointed, as will those seeking an introduction to the Cthulhu Mythos. While these stories can surely inspire delight and devotion among new Lovecraft readers, it is my feeling that they can be fully appreciated and understood only by those who are already familiar with Lovecraft's greater body of work.

HORROR AND FANTASY

I find it funny that there's a unicorn logo on the front cover of my copy of this book, saying that this work is Adult Fantasy. About the only thing Adult about H.P. Lovecraft is that he uses big words like "cacodaemoniacal". Although most of the works in this collection are fantasy, that doesn't mean that there isn't any horror to be had, either. Some of the stories in this excellent collection will give you more chills than the Sixth Sense ever did. Here's a brief synopsis of some of the stories in this book: THE OTHER GODS--One of my favorite fantasy pieces. It deals with mankind driving the gods up mountains. BEYOND THE WALL OF SLEEP--A primitive man from the mountains is put in an institution, where the main character discovers something extraordinary about the fellow. EX OBLIVIONE--Travel to a wonderful dream-world with a bronze gate that leads somewhere seemingly special. FROM BEYOND--This story reminded me much of The Sixth Sense. Lovecraft was never one for dialogue, but he did really well in this story. THE CATS OF ULTHAR--An elderly couple is suspected of cat-killing, but a boy passing through has thoughts of revenge. HONORABLE MENTIONS: The Tree, The Tomb, Polaris, What the Moon Brings, Hypnos, Nathicana, The Festival, The Nameless City, The Quest of Iranon, The Crawling Chaos, and In the Walls of Eryx. As you can see, you get lots of bang for your buck, so to speak. The stories are categorized, but they do not appear in chronological order--a partial chronology is included at the back. This is probably the best Lovecraft book I've read since The Best of H.P. Lovecraft. Both books are worth getting.

Excellent "Lovecraftian" primer

I read my first Lovecraft about fifteen years ago, and never looked back. This book is the one I recommend to my friends who have never read any of his work before. The book is laid out like none of the others I have seen, in that it is divided into separate sections, depending on the type of story, the time period it was written in, or the style Lovecraft was emulating at that time in his career. Also included are snippets of various letters Lovecraft wrote to friends and colleagues which shed an interesting light on where some of the stories came from. I read this book straight through from beginning to end, which is unusual for a collection of Lovecraft's, but in this case found it a very rewarding experience, because the layout is such that the reader gets a real feel for how Lovecraft's talent developed. If someone is looking for a good jumping-on point into the Lovecraft experience, this is an excellent one.

This is what horror should be.

Lovecraft piles on the adjectives with a trowel, and his stories are often overwrought. But they are also creative, unique, genuinely creepy, and a whole lot of fun. He invented a history of the world in which humans are only the most recent (and least frightening) of earth's inhabitants. Some of his stories are tales of these ancient times, and in them he demonstrates a gift for high fantasy, with a decidedly morbid streak. Most of his other stories are present-day tales in which some unlucky or unwise person encounters the malignant relics of those forgotten eras, and these stories put the horror back in the horror genre. Sixty years later, Lovecraft's highly original work is still inspiring new authors to write more tales about his gods and monsters. This collection of his short stories is a nice sampler, an introduction to Lovecrafts work, and includes two absolute gems of micro-short stories. "Memory" and "What the Moon Brings" take only minutes to read, but provide more genuine chills and food for thought than any dozen modern horror movies with their one-dimensional graphic violence. Like it or hate it, at least you won't have read anything quite like it before. (And please! Never confuse Lovecraft's marvellous writing with the abysmal movies that bear the names of some of his stories! The movies are just travesties, and their names are just about all that they carried over from Lovecraft's originals.)

HPL Rules!

Any horror fan is crazy not to buy anything from Lovecraft!
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