The Devil's Horn: The Story of the Saxophone, from Noisy Novelty to King of Cool

All of us owe a debt to Michael Segell for his book on the saxophone. He has written an engaging, informative and oftentimes hilarious account of Adolphe Sax's incredible creation. Mr. Segell has spared no expense in tracing the history of the saxophone and has chronicled its years of development with easy-reading expertise. His interviews with many saxophonists are a particular joy to read and be a part of. Although it would be practically impossible to document every little piece of information about the saxophone and all of its major contributors over the past 160 years, Segell has done an exceedingly thorough and heartfelt job (one look at his bibliography will offer proof of that), and he deserves all the credit in the world for his efforts. I highly recommend this book to anyone who is a saxophonist and who is interested in becoming a more learned student of the history of the great instrument. I also hope this book will teach all of us as saxophone players not to be as divided in our thinking as we have been and that we will instead become more united and accepting of each other and of the many different styles and ways of thinking regarding our amazing instrument, the saxophone. At the very least, it's worth a try... sax on everyone!

Having rediscovered the saxophone after a 30 year hiatus, Segell's story really hits home for me. Not only does he do a very entertaining job of highlighting the history of the instrument, he also conveys the passion that saxophones can arouse in both players and listeners by telling the story of his personal affair with the Devil's horn. Segell's mix of straight history, interviews and personal experience sounds just the right note. He strikes a special chord for me as we have both bought horns from the same guy: Junkdude. A very fun read.

As an "old pro" who has played my Selmers next to lots of familiar names, I feel this book is MUST reading for anyone serious about the instrument (...even just as a listener). I had to laugh out loud at some of the 'holy' schemes hatched against Adolphe Sax and his legacy, and I loved the passionate quotes and reminiscences gathered from many of the top hornmen around Manhattan. More surprising yet are sensously scientific details about how quickly the new brassy/windy sound caught on, forcing innumerable clarinetists and violinists everywhere to switch instruments, or quit. Reading the book out here in the middle of the Pacific, I suppose even my own album, "sax hawaiian style", proves the author's point that this sultry 'devilish' voice was destined to invade practically every musical style and culture worldwide. I can hardly wait until some saxophonist conquers a juicy stake in Rap, or in middle-eastern music, or in whatever genres someday arise!

How can one not be interested in a musical instrument banned by Nazis, Communists and the Catholic church and played by President Clinton. It's also just about the newest of the major musical instruments, dating from 1843 when Adolphe Sax built the first one. This book is basically a love affair with the Sax. It's part history, part stories, part nostalgia for the greats of the past, part just plain good writing about a thing the author clear loves. The author is a professional journalist, an amateur musician and he has combined these two interests together in this book. It's an easy and delightful read. It's kind of fun to have a book like this that is something other than how much one political party hates the other, the war, oil prices and all the other things that you see getting published today.

I've read many of the dissertations and references he's used for research here, and this book is a much more enjoyable read than many of them. It's historically accurate and informative, yet pleasantly written in the style of a professional journalist rather than a PhD candidate. He's used many of the best names in the legit (and jazz) business as sources. If you want a one-source introduction on how the saxophone came to be, this would be my first choice.