The Prince with the Silver Hand: The Eternal Champion, Volume 12

In America at least, I think Moorcock has been overlooked as a notable pioneer in fantasy. At the very least he's merely underrated but as I read more and more of his work I realize how much he's influenced writers of today and the recent past, especially in the fantasy genre. Elric took the concept of the "anti-hero" and ran with it and Corum injects a whole heap of Celtic mythology into the proceedings, with quite entertaining results. Nowadays, some writers (Charles DeLint is the one who comes to mind right away) pretty much base their entire careers on building on those mythologies and folklores, but when Moorcock put all this stuff together, I don't think it was as common and I wonder what people thought of it at the time. This is another volume in White Wolf's Eternal Champion series and the second entire book to feature Corum (he's had cameos in other stories throughout) and this one basically wraps up his saga. Pound for pound I think Corum is a far more interesting character than Elric . . . Elric, while fun in a "gee what new tragedy will happen to him so he can complain about it" sort of way, probably has the biggest appeal these days to teenage fantasy lovers who mostly fixate on "Cool! He sucked out that guy's soul!". Corum, on the other hand, is more well rounded, he has definite doubts after saving the world, he misses his late wife but is prepared to move on, has a sense of humor and is actually proactive once in a while, which I think gives the stories more narrative drive, as opposed to the Champion reacting to stuff over and over again. These last three stories in the series have separate plots but mostly deal with the ongoing problem of saving the world from huge demigods from Limbo that would really like to get back but since they can't would rather just destroy the world (I'll give Moorcock this, his villains are unique). Corum is summoned to the future (really the past, or at least an alternate world) to save the world from these menaces and proceeds to get hip-deep in Celtic mythology. Moorcock sure seems to have done his research and it's hard to tell where he's drawing from other sources and where he's simply just making it up. The plot do suffer to some extent from the "plot coupon" mentality, where Corum has to go track down the long lost rare artifacts (the titles of the stories are a good clue) generally by way of a lot of tangential side quests, but Moorcock piles on so much local flavor that you don't really notice and he does take time to throw in extra twists and wrinkles so it doesn't feel color-by-numbers. The ending is typically downbeat (I know they're called "champions" but boy do their lives stink) but it's a fast entertaining read and probably possessed of more reread value than the Elric stuff, this definitely makes for a more consistent reading experience throughout. A must for both fantasy fans (the White Wolf volumes are sadly out of print, I'm sure the British or the originals are all available, altho

I am reading my way through the White Wolf omnibus series and have just finished this one. There is only one word to describe the sweep and the depth of Moorcock's imagination -- awesome. It's no wonder so many other fantasy writers call him the Master.This book, like the final book in the Elric series, has a dramatic and shocking ending, but that makes it all the better, all the more like a real myth. From books like Mother London and The Brothel in Rosenstrasse, through the Elric and Hawkmoon novels, to the most recent King of the City, Moorcock shows himself to be the greatest. A giant in modern fiction. Whether you like fantasy novels or literary fiction, I guarantee you will like the Corum series. Only Moorcock and Tolkien are the 'real thing'. Even in his minor work, he throws up concepts which other writers create entire series out of. He is one of the best and most influential writers of our age. Totally recommended!

When it comes to real intellectual content Gene Wolfe gives better value than Moorcock in this series at least. But for sheer Celtic instincts (listen to Celtic Ladies CD while you read this) Moorcock is second only to Yeats, who used the great Celtic myths for inspiration (both the CD and Yeats refer to 'moorcocks'). These are the closest to their Celtic roots, using Cornish, rather than Irish, as their main influence. Is it a coincidence that Cornwall has so many traditions associated with King Arthur and Camelot. There's a suggestion in this that Corum visits Tintagel, which sometime Dubliner Moorcock has used to similar effect in his Jerry Cornelius books. How mythologies intersect, sometimes with disastrous results, is part of the theme of this hell-for-leather fantasy which goes so fast, in comparison to modern 'phat phantasy', as Revolution SF calls it, that you hardly realise the time has passed. The CONTENT of this book, like Wolfe's, is considerably greater than the content of most of its rivals. Highly recommended, if just for its sense of the Celtic Twilight.

My first experience with Moorcock was Elric. I loved the character and wanted to read more Moorcock, so I picked up Von Bek. Well, I did not care for Von Bek, so I picked up the Eternal Champion, which, excluding the Von Bek story, I liked. I had heard many good things about Corum and decided to give him a try. While I will not say that he is greater than Elric, he is almost as good. Corum's story is one of irony to the end. Humans take his eye and his hand, but he aids humans in their struggles and falls in love with one. She dies and the Prince with the Silver Hand collection starts up. I liked these novels and consumed them rather quickly. They are well-written and thought out and everything that happens, for the most part, is resolved. Moorcock's sense of continuity is wonderful. Corum, as are most Moorcock books, is violent and full of arrows through heads and swords through throats. If you are at all interested in dark fantasy, read Corum

While Elric remains Moorcock's most enduring charecter, Corum is the most likable. The Corum stories are also probably the best written because they were written as a series, unlike the Elric stories which were written through a 15 to 20 year time span. (The first 4 volumes of Hawkmoon are also excellent.)Corum, like Elric is a tragic Hero, but is much more likeable and really has a lot of elements of being a true Hero. While Elric is a taker (The Stealer of Souls), Corum leaves his own world for another to help humans in a dire struggle against an Ancient race of Gods. (Actually charecters and representations from ancient Celtic Mythology.)All in all one of Moorcock's best series. A must for any Sci-Fi/Fantasy Genre fan.