The Best of John Bellairs: The House with a Clock in Its Walls; The Figure in the Shadows; The Letter, the Witch, and the Ring

John Bellairs is a master of children's horror that I'm afraid the world has forgotten in the Harry Potter rush. As much as I love all that good stuff, nothing beats Bellairs' aura on a little town in 1940's Michigan where anything spooky can happen. The three novels in this volume ("The House with a Clock in its Walls", "The Figure in the Shadows", and "The Letter, the Witch, and the Ring") focus on a orphan boy named Lewis who has come to the town of New Zebedee to live with his eccentric uncle who just so happens to be a wizard. What proceeds is various dippings into the supernatural. And these are not the "cute" supernatural, at least in the usual sense. Sure, Stephen King and Anne Rice would probably consider these adventures kid stuff, but they are they are perfectly creative enough for kids; honestly, I think they're more creative than most of the adult horror out there. Bellairs deals with necromancy, Biblical prophecy, possession, the whole nine yards, but all very tastefully done to be suitable to this age group. Besides the horror, these are books about what it's like to be a kid. Bellairs gets into the heads of his characters with their thoughts and worries and hopes like few do whilst balancing another subject. His writing is also absolutely enchanting. Without being flowery, he is a master of description with exellent pacing and a storytelling voice that just draws you in. I know these are a couple decades old, but I adored this mans' works as a kid, and even now I can't think of many things better to do than curl up with these stories.

I read these books years ago, found them creepy, and forgot about them until recently. These are aimed at a young adult reader, but they're atmospheric and well written, and definitely make enjoyable adult reading. Check out the pages on the individual books for more info, but the three books in one edition is a great deal. These are also excellent for pre-teens and older who enjoy books on the supernatural. They do deal with themes of witchcraft and magic, but otherwise, contain no objectionable content.

This volume contains: The House with a Clock in its Walls (1973) The Figure in the Shadows (1975) The Letter, the Witch and the Ring (1976) I have not read all of Bellairs' novels, so I cannot say whether these three are really his "best". But the grouping is appropriate for other reasons: These are in fact the first three of Bellair's supernatural horror novels for kids; each is a sequel to the last; and all three feature the characters Lewis Barnavelt, Jonathan Van Olden Barnavelt, Mrs. Zimmerman, and (in the last two novels) Rose-Rita Pottinger. Moreover, the collection is more-or-less complete, since these are the only ones featuring these characters that were written entirely by Bellairs and published during his lifetime. The "next" in the series, entitled "The Ghost in the Mirror" was published posthumously after being completed by Brad Strickland in 1993 (after a gap of 17 years, during which Bellairs switched to writing about Johnny Dixon and Anthony Monday). Strickland has gone on to write his own adventures in the series (with what success I cannot say). HOUSE WITH A CLOCK IN ITS WALLS begins with the orphaned Lewis Barnavelt, aged 10, being sent to live with his crazy Uncle Jonathan, and his batty neighbor Mrs. Zimmerman. The Uncle and the neighbor both turn out to be magicians (of the benevolent sort), and the grand old house they inhabit is filled with magical artifacts and mysteries, including a strange ticking sound reputed to come from a hidden clock. Matters get serious after the insecure Lewis, in an attempt to impress a friend, ignores his uncle's warning that he should never attempt magic. Creepy, scary fun ensues. The next two novels in the series are just as well written, and every bit as creepy and scary as the original. However, the grimness becomes a little more unrelenting, and some kids may even find it depressing. One reason for this is that Bellairs seems to have somewhat regretted sending mixed messages in his first book, by his positive portrayal of magic as practiced by Mrs. Zimmerman and Uncle Jonathan. In the course of these volumes Mrs. Zimmerman is almost completely deprived of her powers. Bellairs continues to pay lip service to the idea that they are both benevolent minor magicians, but he ceases to show them using magic to positive effect. Magic use becomes, for all practical purposes, almost entirely associated with evil, and any dabbling therein leads only to horrific consequences. I don't think Bellairs is necessarily wrong to want to discourage kids from seeking occult powers. However, it is a possibly unintended effect of this decision that the stories become increasingly and unrelentingly horrific. While the first volume made it seem as though there were powerful forces of Good to compete with those of Evil, the two sequels start to seem a bit like reading H.P. Lovecraft, wherein Evil has all the power. This edition contains the original illustrations for all 3 books. This mean

John Bellairs is best known as the author of sixteen gothic mystery novels for young adults comprising the Lewis Barnavelt, Anthony Monday, and Johnny Dixon series. The three stories in this book are the first three in the Lewis Barnavelt series, although the last has more to do with his friend, Rose Rita. The tales collected in this book are "The House with a Clock in Its Walls," "The Figure in the Shadows," and "The Letter, the Witch, and the Ring." So far from what I've read of this author, his characters tend to be elderly eccentrics, or ordinary children (no superkids, here). Lewis is resourceful, but with a child's fears and limitations. Most especially, he is afraid that his uncle won't like him, that the kids in his new school will make fun of him, and that he'll never have a friend. His uncle, Jonathan and neighbor, Mrs. Zimmerman are very likeable magicians. They play poker with Lewis and make him chocolate chip cookies and cocoa, and generally treat him as a small adult. The House with a Clock in its Walls (1973) - illustrated by Edward Gorey Lewis is a newly orphaned, plump ten-year-old, who wears "purple corduroy trousers, the kind that go `whip-whip' when you walk." The author often claimed that his imagination got stuck at ten, and here is Lewis, age ten, going to live with his Uncle Jonathan in New Zebedee, Michigan. The year is 1948, and New Zebedee bears a strong resemblance to Marshall, Michigan, where the author was born--- The Cronin House and the GAR (Grand Army of the Republic) Hall still stand in Marshall, just as their counterparts do in New Zebedee. The only thing Uncle Jonathan is reluctant to talk about with Lewis is the ticking noise within the walls of his old mansion, recently acquired from a deceased magician. Lewis discovers that his uncle makes midnight excursions throughout the house, stopping and restarting all of the old clocks. He slowly gets involved in the mystery of an undiscovered clock. The wizardly Izzard couple who used to live in the house are both dead, but what did they leave behind and why? There are some genuinely frightening scenes in "The House with a Clock in its Walls"---most especially when Lewis tries to impress a new friend by stealing one of his uncle's magic books and taking it to the graveyard at midnight on Halloween---but I don't want to spoil the story for you (Hint: there's a scene straight out of "Count Magnus" by M.R. James when the lock pops off of the crypt). Let me say that this is a truly scary book, and if the author's imagination got stuck at ten, he must lived an awesomely spooky tenth year. "The Figure in the Shadows" (1975) - illustrated by Mercer Mayer Lewis wants desperately to believe that an old coin belonging to his Great-Great-Grampa Barnavelt has magical powers. He is being bullied at school and starts to wear the old Civil War coin around his neck for protection. Finally Lewis turns on the bully and beats him up, but he soon learns that the

Good product, prompt service. John really writes for much younger readers (I'm 83) but is a comfortable read anyway.