From its earliest days, the Virginia landscape has elicited dramatically contradictory descriptions. The sixteenth-century poet Michael Drayton exalted the land as "earth's onely paradise," while John Smith, in his reports to England, summarized the area around Jamestown as "a miserie, a ruine, a death, a hell." Drawing upon both familiar history and lesser-known material from deep geological time through the end of the seventeenth century, Stephen...
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