The Baby Merchant

This woman never fails to amaze me. She is able to do speculative fiction with so much immediacy -- and hence, more suspence and menace -- creating worlds that contain classic science-fiction-y elements, and yet are so recognizably our own, for tales that are a veritable punch to the gut. This book reminds me of all that was excellent about "The Children of Men" by P.D. James. In short: in a period in our not so distant future when a shortage of babies and a preponderance of fertility issues make children a rare commodity, Tom Starbird is the Baby Merchant, an indivudual who's taken it upon himself to remove infants from what he deems unsuitable environments with unfit mothers, and to place them, for a hefty fee, in loving homes where they'll be "wanted" -- according to his own judgment, at least. He's good at what he does -- the best -- but with his moral compass wavering and on the verge of quitting for good, he finds himself blackmailed into one last job, which turns out very -- catastrophically -- differently from what he expects. The characters are vividly drawn and for the most part sympathetic, if imperfect, and the pacing is so rapid you can hardly put the thing down. I neglected work! Reed is skilled at capturing the inner life of both her protagonists and antagonists, through monologue and stream of consciousness (although her main villain remains a little flat) without ever being boring (a neat trick with stream of consciousness and not easy to do). I think this book has a somewhat stronger ending than the also excellent "Thinner Than Thou," mainly because the story itself is smaller -- about just a few people rather than an entire religious movement. It's more covincing, makes more sense, and provides more closure.

Putting down a book by Kit Reed is a hard thing to do. Not just because it's good, which it is, but because it's like trying to put your conscience on mute before it's done asking you what on earth you think you're doing, and just who, exactly, do you think you are. That's just what Reed does here in The Baby Merchant. Some writers speak to their readers, asking provocative questions through symbolism and innuendo. Kit Reed reaches out from the page and pokes you. It's alarming, sometimes disquieting, but never inappropriate. And, of course, it doesn't hurt that the characters in The Baby Merchant, no matter how strange or unlikable or pathetic or morally-questionable, are always engaging, and sometimes a little too believable to be comfortable. Particularly the shockingly enigmatic merchant himself, Tom Starbird. Which is exactly what we need. We need a little discomfort. Asking hard questions isn't supposed to be comfortable. It's supposed to be necessary. All that being said however, the book is a blast. If you read Reed just for the fun of it, The Baby Merchant will not disappoint. It works on a strickly entertaining level, if that's all you're looking for. But like many of Reed's works, especially her latest few, you can admire what you see in the looking glass, or you can go through it.

It's weird rooting for a guy you ought to hate because of what he does, but that's what I ended up doing with this book about a future so near that some of it is already happening. People I know are having a hard time having children and adoptions are getting harder and harder, they way they are in this book. The government is already clamping down on a lot of things and if we can microchip pets to keep them from being stolen, why not kids? Reed's sort-of hero Tom Starbird steals babies for sale to rich clients, but he has reasons. Then he steals a baby from the wrong girl and the real trouble starts. This starts a cat-and-mouse game that makes this novel a fast, really scary read.