Roger Winter has always been preoccupied with "recording reality in all its strangeness," in the words of biographer and art historian Susie Kalil. His works partake of wide-ranging influences: childhood memories of gospel hymns blaring from a loudspeaker atop the "Holy Roller" church near his home; strange totems composed of crows, foxes, angels, and old family photographs; rusted cars resting among chest-high weeds; faces reflected in the windows...