The Art of Fine Enameling

I really enjoyed this book on enameling. I have always wanted to get involved with this art, but I was concerned that I wouldn't understand any of the terms or processes. I found the book easy to find answers to my questions as I progressed with any steps. I have the opportunity to see many different techniques so I can make decisions on the style I want to use. Keep up the great work - I wish there were books up to this quality level in all the arts!

The Art of Fine Enameling is not just for practicing enamelists, it is for the collector and art lover, too, as the book includes so many beautiful photos and easy to read descriptions of the major enamleing techniques. As a how-to book, it is for both the beginner and the more skilled enamelist and works well as a text book because of it's easy to read desciptions and it's comprehensive troubleshooting section.You can read more about the book at http://www.kcEnamels.com/enamel_bookwhich lists the Table of Contents, shows you each of the project pieces, includes some additions to the book like a list of photo references of each artist's plate in the book and more.

Seldom am I so impressed by a book that I feel you absolutely must have it, but I can't imagine anyone interested in enameling not having it. This hardcover book contains 160 fully packed high quality pages with 423 color plates and 13 demonstrative sketches. Twenty artists have contributed a wealth of knowledge on their own unique variations of enameling techniques. The projects are: Basse Taille created by etching with natural elements by Ingrid Regula; Champlevé by Katharine Wood; a Cloisonné Brooch created directly in the setting by Karen L. Cohen; Decals and applications of other embellishments by June Jasen; Fusion Inlay Under Enamel by Charles Lewton-Brain; Ginbari Foil Embossing by Coral Shaffer; Grisaille by D.X. Ross; an amazing 8 page mosaic Limoges project by Ora Kuller; Liquid Enamel and Glass Ball Additives by Judy Stone; Minimal Firing (2-3 firings) Enameling by Averill Shepps; Mounting large enamel installations by Marian Slepian; Plique-`a-jour Pierced-heart Pendant by Diane Almeyda; Raku-fired Bowl by Jean Tudor; Separation Enameling by Tom Ellis; Sgraffito Plate and Stenciled Tile by Sally Wright; Silk Screen for Enameling by Ute Conrad; Stone Setting Within an Enamel by Dee Fontans; Torch-altered Metal with Cheesecloth Stencil by Roxane Riva; Torch-fired Beads by Aileen Geddes; and Vessel Forms - how to successfully enamel vertical surfaces - by Sarah Perkins. Additionally, there are Photo Galleries scattered throughout the book representing another 51 of the finest enamelists, with a total of 71 represented in the book.Each chapter is laid out beautifully and clearly: Tools, Materials, a short overview, Metalwork, Enameling, and Finishing, each in numbered steps. A highlighted box prior to the overview lists Techniques to Know with page references to instructions covered at the beginning of the book. Another lists colors needed to replicate the project as illustrated. "Notes" throughout include helpful hints such as how to avoid problems with a specific instruction, or special touches the author might add at this point. "Tips" include where to find specific tools or supplies. The 3" margin is filled with clear step-by step photos.The book opens with a brief history and then a complete glossary of terms, techniques and tools used in the book. I thought it brilliant to place these terms first as an integral part of the book instead of an afterthought at the back. The Enamelists' Tool Kit was not just a complete list of everything you could need, but warnings and instructions on how to maintain a safe studio - also important information before jumping headfirst into a project.The section on Enameling Application covered every possibility, including tools, with referrals to project pages, and firing, including supports, heat sources and their care. Studio Basics, Tips and Tricks included where to scavenge tools, when to high fire, and excellent photos of the four stages of firing. Cohen clarifies the 6 grades of sifting and w