The Annotated Brothers Grimm

An outstanding collection of familiar and unfamiliar tales, with beautiful illustrations from many different artists. I have been reading the tales one at a time, and am enjoying getting to know each story. I didn't know much about the Grimms and now I feel like an expert. Quality of paper and binding is very high, and I'm happy to put this in my permanent collection rather than with those yellowing paperbacks.

A beautifully bound volume of the Grimm collection. With its side notes and explanations of what is going on in each tale, what better way to teach children the origin of these stories and gain a greater appreciation of its creation. This book is just that book to have on your library shelf. I am delighted to have it. (And I am well over 13 years of age.)

I was surprised by the depth and value of the content in such a beautiful, "coffee-table" book. This is a collection of the Grimm's Fairy Tales with annotations describing each tale, where it fit within the collecting work of the Grimms', and what individual allusions and themes might mean throughout each text. Readers beware: this is not a children's book. Rather, it might be read by an adult to children, but it contains much thoroughly overblown academic delvings into the psychosocial an psychosexual meanings supposedly behind many of the tales. It also does not shy away from bringing the readers attention to all of the sexual dimensions found in various other forms of the tales. All that said, this is a valuable book chronicling the history of the Grimms' collection, illustrating and adding to the content in many helpful and enjoyable ways.

Like the others in this series (The Annotated Wizard of Oz, The Annotated A Christmas Story), this volume is beautifully illustrated and annotated with details that personalize the age-old tales, revealing original publishers names and themes, a behind-the-scenes peek at the historical background of those fairy tales we have loved since childhood. In a very personal introduction, A.S. Byatt speaks of her own yearning for myth and fantasy as a young girl: talking birds, unicorns, princesses, imps and spun gold, hair cascading down the length of a turret. Byatt cautions us to remember the violent nature of the past and that the acceptance of violence was a part of everyday life; hence, the physical became part of the narrative, public hangings common to the times. The beauty of fairy tales is that limbs grow back and the sleeper awakens, once more alive. The editor/translator has reassembled original Grimm stories in the order they were first seen by the public. There are the most familiar, Rapunzel, Cinderella, Little Red Riding Hood and The Golden Goose; but Tater goes even further, adding stories that were removed, most originally meant for adults, later considered too bawdy for the consumption of children. And Tater has another surprise in this volume: a biographical essay on the Grimm Brothers, their personal lives and political views, as well as the original prefaces. This book is a treasure on many levels, the early appreciation of fantasy read as a child, the historical implications of those tales, the psychology that underlies the power of story and man's need for images to act great battles of good and evil. Far deeper than mere storytelling, the Tales of the Brothers Grimm are the sturm und drang of the German culture, powerful and political, pagan and pure, complex and simple. Cultural complications aside, this tome stimulates curiosity at every turn, the beginning of a great adventure even adults can enjoy. These wonderful, familiar stories are brought to life by the exquisite illustrations, both black and white and full color, as well as the annotated remarks that add such flavor to the interpretation. A visual and intellectual treat, The Annotated Brothers Grimm is a feast of possibilities, fancies, fears and dreams. The impossible is possible. It is all a matter of imagination. Luan Gaines/2004.

THE ANNOTATED BROTHERS GRIMM, Jacob and Wilhelm Grimm, edited with a Preface and Notes by Maria Tatar, translated by Maria Tatar, Introduction by A. S. Byatt. Norton, 500 Fifth Ave., NY, 10110. 2004. 462+lvii pp. $35.00 hard cover/7" x 10", ISBN 0-393-05848-4. color/black-and-white illustrations, bibliography. With its color illustrations by Rackham, Nielsen, Cruikshank, and other popular book illustrators, and simple, spritey translations by Tatar, this collection of Grimm's Tales can be appreciated solely for its visual and literary quality. The rich blue cover with gilded decoration and lettering contributes as well to the special quality of this book. But for readers looking for more than the timeless fairy tales tales well told complemented by pleasing illustrations, Tatar's marginal annotations and introductory essay "Reading the Grimms" along with A. S. Byatt's 10-page Introduction enhance the tales in citing the origins of their elements, pointing to references of their characters and imagery, and denoting particular representations of themes and teachings found in all fairy tales and similar children's literature. Such material defines the distinctiveness of the Grimm's works while also setting them within the wide and long tradition of children's literature. With its inclusion of nine Grimm's "Tales for Adults" omitted from typical collections along with the varied other material allowing for appreciation or study of the many fairy tales in different ways, this work stands alone in its treatment of the tales. It's a part of the publisher's series of annotated editions of popular classics, including the Wizard of Oz and the Sherlock Holmes mysteries.