The Amazing Adventures of Kavalier & Clay

I dearly enjoyed this book, especially the first two thirds of it (nothing against the ending, I just think the writing is stronger in the beginning/middle). The characters charm and delight, and the writing is full of wit and playfulness. This is an epic tale and I absolutely loved it.

This is a masterpiece. Bravo Mr. Chabon. I love how the fiction blends with historical real people, places and things.

As I read through this book, I kept wondering if I my lifelong love of comic books was simply adding another level to my enjoyment of it, or if it was actually the main reason I was appreciating it. Would someone who hadn't grown up obsessing over superhero exploits past and present still find this novel such a joy? Or would they simply wonder why the author kept muddling his narrative with all of this talk about silly stories of grown men in their underwear? The "Winner of the Pulitzer Prize for Fiction" blurb on the cover reassured me to some extent, but if I had a nickel for every award-winning book or movie that I think is terrible I would be a very rich man. However, when all is said and done, I think this story really speaks to something that anyone can relate to. You might connect a little more strongly to the main characters if you are a comic book fan, but you might connect even stronger if you are Jewish, or any minority, or a dreamer, or someone who has been in war or been close to someone who was in war, or if you lived in New York, or any of a hundred other types of people. The story focuses on two young Jewish boys, one a born-and-bred New Yorker, and the other, his cousin, a refugee from Prague. They become quick friends and find their fortune in the creation of a comic book character called The Escapist during the comic book boom that followed the debut of Superman in the late 30s. But to say that the book is about comic books or about superheroes would be ridiculous. It's about the lives of these two men and the routes that they end up taking through them as World War II, along with any number of other events, comes about. It touches on the disenfranchisement felt by immigrants, the difficulty of being a homosexual during that period, the beginnings of suburbia, and the wonder of childhood, in addition to being something of a history lesson on the creation and publication of superhero comics. Chabon is simply a masterful writer. Whenever he begins to build the characters up and give them a hope of real happiness, the reader can tell that something terrible is around the corner. But the true measure of his expertise comes from the fact that you can't help but get excited for them. You know a catastrophe is looming, yet the desire to see them succeed and be happy, and the hope that it is possible, simply won't allow you to remain totally cynical. The other thing I feel the need to point out is that Chabon's use of language is a joy to read. His descriptions and the way everything is structured are English at its best. He could write a novel about American Idol and I'd probably find it a pleasurable read. So, to wrap it up, you owe it to yourself to read this book no matter who you are. I have nothing bad to say about it. I haven't read a book this good in so long I think I had forgotten that they existed. I almost hesitated to praise the book so heavily because I was concerned that I might have raised expectations too much, but

"A faster read than a Grisham book. More powerful than an Oprah pick. Able to win Pulitzer Prizes in a single bound edition. Look! Up on the bookshelf! It's pulp fiction! It's serious literature! It's `The Amazing Adventures of Kavalier & Clay'! Yes it's `The Amazing Adventures of Kavalier & Clay', written by a strange visitor from Pittsburgh who came to the literary world with powers and abilities far beyond those of mortal men. 'The Amazing Adventures of Kavalier & Clay', a book that can change the course of mighty literary trends, bend public discourse in its bare hands, and which, disguised as Michael Chabon's latest novel, a mild-mannered bestseller for a great metropolitan readership, fights a never-ending battle for Truth! Justice! and the American Way!"Pretty cheesy, that. But good cheese, no? Actually, the above is just a thinly veiled attempt to usher you into the world of super-hero comic books that Michael Chabon has created for this book. It is a world of convenient coincidences, of nick-of-time rescues, of unbelievable happenstance, and hyper-romanticism. It's a world whose characters are drawn in two tones (black or white), where good and evil combat in epic struggles, and little boys pay ten cents an issue to read about it. It's an entirely made up world, embracing its own fictionality, but one that the reader can easily get lost in. Chabon has written a book that takes the conventions of the comic book and exploits them. If you encounter a situation here that tests the boundaries of reality, try reading it as if spread over six cheerily drawn panels. It'll make much more sense that way.The reason for this technique, if I may be so bold as to articulate it, is quite simple: Escapism. Joe Kavalier at one point lists the reasons why he loves his comic books: "for their inferior color separation, their poorly trimmed paper stock, their ads for air rifles and dance courses and acne creams..." But most importantly, for this young man newly escaped from occupied Prague, for the way they allowed young boys to escape from reality and dream their dreams. It's a pretty moving message. Joe and his cousin Sammy Clay (nee Clayman) create a comic book superhero to exploit this theme, named appropriately enough "The Escapist". It's popularity ends up rivaling Superman and Batman. I'm not going to tell you what Sammy is escaping from, for that would ruin one of the book's best and most tastefully portrayed surprises.However, all is not painted in comic book artificiality. In fact, much of the book's sub-text is quite poignant and real. I mean, the book's title, which looks very comic-esque, is actually quite ironic. The boys' adventures aren't really that amazing together (it's run-of-the-mill, everyday stuff, except for a huge joint success). Joe has some topsy-turvy times himself, and Sammy's are more internal and domestic than anything. Even their names are ironic. Joe is certainly not cavalier about

"The Amazing Adventures of Kavalier and Clay" works on so many different levels. It has the thrills, action and pacing of a comic book, yet also has the beautiful language, fully developed, memorable characters, and moving, non-manipulative drama of the finest literary novel. It is rare to see excitement, sadness, history, and humor mix so seamlessly together. I hesitate to write too much about the plot, because this is the type of novel where if you learn too much about the fate of the characters ahead of time, it will ruin much of the fun in letting yourself get absorbed in the suspense of the novel. There are so many things done right in this book that it seems like a disservice to not try to mention as much as I can about its qualities. Chabon is able to include in this novel the history and development of the comic book, Jewish mysticism, mid-20th century American culture, the Holocaust, US involvement in WWII, Houdiniesque escape and magic, all without ever letting this researched information interfere with the flow of the story. It is also rare to read a novel where the setting is so vividly created for the reader. A large part of my enjoyment of the novel, aside from the story itself, was using Chabon's prose as a guide to transport me to New York during the middle portion of this century. This may be the one of the first enduring literary works of our new century.

With Kavalier & Clay, Michael Chabon will finally get all the attention he so richly deserves. The book is a feast for the imagination, and spectacularly written.A young Jewish man, Joe Kavalier, uses his fascination and dedication to the art of magic as a means to escape from German occupied Prague.He arrives in New York City, and with his cousin Sam Clay invents The Escapist; a comic book super hero who fights villians heavily based on Hitler. This is America in the forties, when Superman had just become a hit, and young boys everywhere were eagerly waiting for the next issue to see what would happen to their caped crusader. What follows is their rise in the comic book industry, as well as battles with their own personal chains that lead them to their ultimate destinies.Chabon's canvas merges fact with fiction, and the characters interact with Salvador Dali, Uta Hagen, Stan Lee, Orsen Wells, and the great Harry Houdini among others. That only makes his characters so much more real as you read it, it's easy to forget it's fiction. If you're looking for the type of book that creates a detailed world with artistry in the writing, and a moving collection of characters, this is the one.

This is a stunning novel about the adventures of two boys who write comic books during what was known as the Golden Age of comic books in the 1930's. This book about Joe, Sammy, and Rosa and their lives spans continents, eras, and many years of love and much hardship. The details of their lives is written in such beautiful language it makes you feel you are living in this time period. I have never been so involved in what I was reading as I was in this book, all 636 pages of it. It's a long story but one you will think about long after you have finished it. The characters you will never forget. So I guess I am saying Michael Chabon is a brilliant writer, who can certainly capture the attention of his readers. He has a florid way of writing and I really enjoyed that. I was never a great reader of comic books, but you don't have to be to enjoy this book. I could go on and on about the story, but you just have to read the book description for that. It's all there. I would highly recommend this wonderful book if you have the time to read it. You'll find yourself staying up late till you reach the last chapter. What a great movie this would make. I really enjoyed Michael Chabon's other three novels, but I think this is his best yet.