The Age of Religious Wars, 1559-1715

This book is a good overview of the main events of the period. Dunn does a great job explaining each event.

This is the second book I've read in the Norton History of Modern Europe (the first was Eugene F. Rice, Jr.'s "The Foundations of Early Modern Europe, 1460-1559"), and I've been highly impressed with both of them. They both cover the basic events fairly thoroughly and simply, presenting the background but not getting lost in details. Although focusing on political history, they both cover many other aspects of history--military strategy, economics, demographics, art and culture, philosophy--briefly at least. Speaking as someone who occasionally has to teach the subject, in my opinion organization is the greatest challenge in presenting history, and one of the greatest compliments I can pay to any history book is to call it well-organized. Dunn's book is generally very well-organized; I have only a few minor quibbles, and I doubt that I could improve on his organization without introducing bigger problems. Other quibbles are much less significant: I would have liked more detail regarding the War of the Spanish Succession, more information about changes in military strategy in this period (since firearms underwent constant improvement, and the nature of seige warfare changed dramatically--but how exactly did these change the strategy and nature of warfare?), more on the culture of Restoration England, maybe something on the culture of the Puritans (he tells us nothing of John Foxe, and almost nothing of John Milton or John Bunyan). However, I am fairly familiar with the cultural history of Europe (by which I mean art, music, literature, philosophy and religion), so in reading these books my main concern is to fill in the political, military, and economic background, which I don't know very well. If your situation is similar to mine, I guarantee you will find these books very rewarding. One other thing I find most gratifying is the well chosen illustrations: although printed in black and white, they are often obscure enough to be new to me, while perfectly commenting the text. For instance, the closing pages show a woodcut of Peter the Great cutting a Russian nobleman's beard, in which Peter (actually an impressively large man) is portrayed as a giggling, child-size pest to the large, dignified nobleman; the opposite page features a print from 1698 showing Peter's execution of the streltsy (his elite guard) rebels: row after row of hangings and beheadings on edifying display for the passing carriages. You didn't see it in your art history survey course, but it reveals the nature of Peter's Russia far more effectively than anything that you did. The maps are also perfect, which enhances any history book. If you are looking for a history of modern European culture, I do not recommend these books, however, as their focus lies elsewhere. For that purpose, I suggest starting with Jacques Barzun's opinionated but thorough "From Dawn to Decadence," supplemented with a good art history textbook such as Jansen's History of Art. If the religious iss

Dunn is an excellent writer. He is not flowery like the Durants, but his prose is elegant and to the point. He covers a great deal in a fair amount of detail. His book is very well organised and full of well chosen illustrations. The book is an easy size to carry around and very competitively priced (this kind of book is often very expensive, this one is not). If you want an introduction to this period, I do not think you could do better than this book. I could not put it down (Dunn knows how to be entertaining) and since completing it have referred to it often.

Reads like a story, instead of a series of "facts", like most history books. Highly readable. Very interesting.

Richard Dunn's "The Age of Religious Wars" is one of the best, if not the best, text available on European history, 1559-1715. Dunn, in a terse, concise style, covers all of the major events and trends in Europe (yes, all of Europe - Scandinavia, Russia and the Balkans are included) of the period. His greatest success, though, is his portrayal of the psychology and systems of thought of the era. But if you think you'll find this a bit dry (you won't), Dunn writes with an exceptional sense of irony and sprinkles humour throughout. This is probably the best piece on the era for any student or amateur historian who is only vaguely or moderately acquainted with this age.