Teacher

A master teacher's masterwork, describing her passionate teaching among Maori children in her native New Zealand, in times before such work was commonplace. It can be foundational for the teaching/learning vocation. Decades after reading this book, reflecting on it brings a rush of gratitude for the privilege of teaching, and Teacher remains one of the best and most influential books of my life, a testament true in every sense of the word. Anyone who has taught, anyone who has triumphed, anyone who has wept in shock or crowed in victory will find soul-food here. 'They break my castle for notheen! Somebodies!'

In generally straightforward prose, Sylvia Ashton-Warner describes the success of her "organic" teaching method for five-year-old Maoris, a native people of New Zealand. The idea is as brilliant as it is simple: young children will best remember words that are nearest their hearts. For young Maoris at the time of Ashton-Warner's writing, these words were not always positive, as many of her students were from troubled backgrounds. Words such as "fear" and "kill" were as popular among them as "kiss" and "love." Ms. Ashton-Warner's infant reading texts were hand-crafted by her for each student's particular needs and interests. After developing an "organic" vocabulary, the Maoris were better able to tackle traditional English elementary texts. I found a sixth edition of this book in my late father's library. It was required reading for my father's Masters in Education program at Hunter College in New York City during the late 1960s and early 1970s. "Teacher" was first published in 1963. Contemporary readers, especially Americans, may find the style somewhat dated. Towards the end of the book, Ms. Ashton-Warner changes from a conversational format to a diary-like, almost stream-of-consciousness style which is rather confusing. She also uses New Zealand terms such as "pa" and "haka" whose meanings have to be determined with some difficulty from context. All that said, the message of "Teacher" is as vibrant today as it was when this work was first published. It is as relevant to building cross-cultural bridges as it is to enhancing learning among students of all backgrounds. My father drew upon it in getting reluctant older students to write and read about things that they were truly interested in. "Teacher" provides an important caveat to today's world of standardized testing and rigid pedagogical criteria.

Fantastic Book! Makes a revolutionary concept seem simple and obvious. As an education student, I plan to take from this book for the rest of my life.

This text was recommended reading and as a teacher myself, I find it confounding that it was not required reading during my teaching education. She certainly was ahead of her time, but Sylvia Ashton-Warner might still be distancing herself from those standard based minds determined to put children into the molds we have decided are necessary for their own good. How do we get children to see the power of language so that writing and reading have personal meaning that piques a lifelong journey into the love of learning--this book has some incredible seeds that a willing and curious mind might take, study, and find itself using to change the world, and at the very least the landscape of education as we see it today. Read this book if you want children to come alive to learning.

I am a teacher of 18 years who had to read this book in 1977 as part of my college teacher training and would like to share this book with all teachers. It is as relevant for me today with our scripted phonics and literature-rich reading programs as it was then. Sylia Ashton-Warner does more than portray a method and philosophy to teach reading to New Zealand's Maori children--she paints a vivid, dramatic picture of any classroom. The reader can see the combination of her daily, organized lesson plan superimposed with the actual unpredictable, spontaneous, and social nature of children. Sylvia writes in such a perceptive, humorous way that our sympathy goes out to the Maori children who are expected to learn reading, but are expertly led, not forced. One of her main points was that the contemporary "Dick and Jane" method of teaching reading was too imposing, stagnant, and foreign to inspire success and a love of learning for her Maori students. She created a new system to do the job of bridging the old, illiterate civilization of the Maoris to contemporary New Zealand. Her method became famous. It is fairly simple and has been used since in a multitude of kindergarten and 1st grade classrooms. Children were allowed to give Ms. Ashton-Warner, their teacher, a new word every day. The word was traced, written, practiced, shared, and reviewed the next day. If the word was important enough to the child, it was remembered and therefore called an "organic" word since it came from an important part of the individual child. Children had word cards and every day would locate their own personal word cards amidst the class' collection. As Ms. Ashton-Warner used this method over time, she was able to categorize important words, and thereby came across universal truths regarding words that made reading easier for her students. The two widest categories she called "sex" and "fear" words, and if a word was easily learned then it fit into one of these categories. Although I personally don't like her use of the word "sex," she explains her conception of it as referring to the human needs of love, acceptance, and survival. As students became proficient with this first introduction to words, they were "graduated" to more advanced classes in reading and writing, using their own personal word banks, until at last the traditional school books could be used successfully. In addition, Ms. Ashton-Warner wrote and illustrated her own version of basal readers for Maoris, using their own interests and lingo, as another part of transitioning them from their own culture to the literate and modern New Zealand. It is tragic that most of her original works are gone. In actuality, the book "Teacher" is much more than a description of a pedagogical method. It is a work of art, describing the talent needed to teach. It is a work in psychology, showing one how to cope with the enormous diversity and constant problems of the real classroom. It is