Within the historical context of twelfth-century France, a period rich in artistic transformations, this book reconstructs and evaluates two major but virtually unstudied collections of stained glass that function as part of larger schemes of decoration: the glazing of Saint-Remi at Reims, a wealthy monastery with strong ties to the French crown, and Saint-Yved at Braine, a church that served canons and secular patrons. Here Madeline Caviness shows...