Strange Pilgrims: Stories

"Strange Pilgrims" is a wonderful, but sometimes overlooked, collection of 12 short stories from the Nobel Prize-winning author Gabriel Garcia Marquez. The stories that compose the collection vary in length and quality, but even the less successful among them are worthy of the reader's attention. The stand-out stories include "The Saint", "Maria dos Prazeres", "Miss Forbes's Summer of Happiness" and "I Only Came to Use the Phone" -- a bizarre and haunting tale of a young woman whose car breaks down in a Spanish desert, on a rainy afternoon. She is unwittingly picked up as a hitchhiker and mistaken for a mental patient who is taken to an asylum. This theme, of the familiar merging with the nightmarish is explored again in "The Trail of Your Blood in the Snow." In "I Sell My Dreams", the protagonist meets Pablo Neruda ("He moved through the crowd like an invalid elephant, with a child's curiosity in the inner workings of each thing he saw, for the world appeared to him as an immense wind-up toy with which life invented itself") and discusses the labyrinths of Borges, among other things. "Light is Like Water", a charming ode to the power of a child's imagination, is a story brimming with surreal imagery. These 12 tales perfectly define the genre of 'magical realism'. The collection also seems like a fine place to start for those seeking to familiarize themselves with the work of Garcia Marquez, before tackling epic novels like "One Hundred Years of Solitude" and "Love in the Time of Cholera". These are the kinds of stories that seem to stick in the reader's memory and welcome repeated readings.

I wonder if Garcia-Marquez is capable of writing a bad story. Certainly this selection of twelve are like polished gemstones. They might not be shiny or scintillating, but they are so solid, so satisfying. Each of them centers around Latin Americans, mostly Colombians, and their strange experiences in Europe. Back in South America, they move in familiar patterns, they feel at home, but in Europe, unknown and unseen forces affect them, they are prey to the pitfalls of strangeness, they can't see anything coming until it runs them over. While the gigantic geography, turbulent history, and luxuriant and untamed nature of South America fosters magical realism in authors, at least in Garcia-Marquez and some of the other greats, they also produce characters very much larger than life. Europe has always seemed to me a much tamer place, having reduced uncertainty over centuries--- more set in its ways, with fewer surprises, established, sedate. Garcia-Marquez perhaps sees it in a similar way and it unnerves his Latin American protagonists. An ex-dictator lives in a student garret, sells his jewels, and undergoes a useless operation. A woman disappears "by accident" into a mental institution and a playboy dithers in a cheap Paris hotel, not knowing a word of French, while his young wife dies in a hospital. A postal clerk spends years trying to see the Pope to convince him of his daughter's saintly qualities. He lugs the deceased but uncorrupted daughter around in a huge case. An aged ex-prostitute feels death is at her door, but actually it is something else. Nobody really feels at home, nobody can trust their feelings, because everything works differently. Europe isn't exactly an alien place for them, but they are, each time, unwitting victims of the unexpected. Garcia-Marquez is one of those authors who seem to write about ordinary people whose lives take strange twists. But the worlds they inhabit, the people around them, the very fabric of their existence seem to me utterly fantastic. His talent lies not in presenting ordinary life, but extraordinary life. You accept a little more, a little more until suddenly you find yourself believing in the unbelievable. In the great warrens of Western civilization, but also in the daily grinds of Asia, Africa, or Latin America, life may take interesting paths, or curious twists, but for the most part, it is very predictable. These stories all have only the veneer of predictability; underneath the realism is full of spooky holes. Yet, that is not only due to a magical tone as in novels like "The Autumn of the Patriarch" or "One Hundred Years of Misunderstanding", it is due to the author's constant combination of known daily life with near-fantasy. You can hardly draw the line between them, so closely does he knit. Great stories by a truly great talent. Read them.

Si leyera este libro sin conocer el autor, no dudaría ni un instante en saber que fue escrito por García Marquez. Su inconfundible estilo, descriptivo, lleno de vida, infinitamente latinoamericano, salta al ojo de cualquier lector. El texto esta compuesto, obviamente, por doce cuentos. Los cuales fueron notas periodísticas, guiones de cine, un serial de televisión, etcétera; lo que convierte a este libro en una exquisita ensalada de diferentes historias, ya sean divertidas, de intriga, melodramáticas o simplemente comunes. Peronalmente me encanta "Sólo vine a hablar por teléfono" y "El verano feliz de la señora Forbes". Definitivamente es altamente recomendado.

Nobel prize winner Gabriel Garcia Marquez continues spinning his own brand of magical realism into captivating tales with his Doce cuentos peregrinos. The stories border on reality and the unconcious, giving them a "sonambulo" feel. They are also very cinemographic and five have been made into movies and a TV series. Anyone who has ever seen "Milagro en Roma" must read "La santa"--the story on which the movie is based. This collection is a must-have!

Marquez has crafted an exquisite sequence of short stories about Latin Americans alienated it Europe. The dream like sequences create an evocative picture of their inevitable alienation. They reach out and touch the reader, who inevitable finds parallels with his own life, whatever his circumstances