Stormbringer

Plot: Elric, Crimson-Eyed Albino, Last Emperor of Melnibon?, Kinslayer (and many more unflattering titles), is still closely bound to his sword, Stormbringer. It being a product of Chaos, much like himself, makes it the perfect weapon against his former Masters. In this book, the last of the Elric Saga, Elric will at long last learn his Fate. More yet, he will have to blow the Horn of Fate, thrice, before the World can be reborn. But of course, the Lords of Chaos aren't just going to let him destroy everything they own, everything they are. It's an all out Battle against the Dukes of Hell themselves, and Elric is running out of Allies. The Sourcerer-Albino still has a few tricks up his sleeve, and the Horn of Fate is able to help him rouse the Dragons of Melnibon? from their slumber on the Dragon Isle. But it will take more than the Mighty Melnibonean Dragons to overcome these forces of Chaos. While his enemies are numerous and the most powerful forces in all of the Multiverse, Elric is aided by The Servants of Fate. And that is help one cannot overlook. Of course, that's all I can say, I can't spoil the entire book for you, wouldn't be nice. Characters: Michael Moorcock's characters are somewhat unique. Elric most of all. He is in some ways a typical anti-hero, though so much more. The characters, and particularly Elric, are very well thought out, and as Moorcock would say "They're everything Tolkien's characters aren't". Moonglum is in many ways (still) the exact opposite of Elric. Though they are both part of a greater being, and serve a common purpose, they are entirely different. Dyvim Slorm again is completely different. Whereas Elric lacked certain Melnibon?an traits (among other things due his albinism), he is the perfect example of a True Melnibon?an. What that means, you will have see for yourself. Still, you will have to read the book to get better acquainted with all the characters. Who knows, you might just like some of them . Book's Cons: The only downside to this book is that it is the last one in the Saga. After this there is nothing more for Elric. Once you read the Final Chapter you know that it's time to let go of what is in my opinion the most amazing character in the history of Fantasy! You might just shed a tear, though that's not really a bad thing. Book's Pros: The best part of the book is that despite its being Fantasy, very dark and gloomy Fantasy, you can still relate to it. Of course, you can't relate to going up against the Lords of Chaos, but Elric is a very emotional character in some ways, and that is something everyone can relate to. I'm not going to lie to you, not many people will like this book. Fantasy is already a somewhat 'despised' genre among many, and Moorcock is possibly one of the more despised writers ever, but that alone is a great proof of his awesome talent. If you like a very exciting book, of which you know the end will be sad; if you like Moorcock's Multiverse,

Michael Moorcock created the character of Elric, a doomed albino prince of a dying race who carries a cursed sword called Stormbringer in his wanderings throughout the Young Kingdoms of the humans, in the mid-sixties for "Science Fantasy Magazine." Elric starred in a series of novellas, the last four of which were gathered together to create this single novel, "Stormbringer." Although Moorcock has gone on to write many more novels featuring Elric, "Stormbringer is chronologically the last of the series; the albino prince meets his destiny and the world faces its fate in the eternal battle of law and chaos.And the saga ends on its highest note; without a doubt, "Stormbringer" is one of the best of Michael Moorcock novels. Most fans consider this finale the best in the series. Even though it was originally published as four novellas, the parts flow together in one concentrated epic of sorcerery, horror, and war. The storyline has the the Theocrat of Pan Tang, Jagreed Lern, ally himself with the Dukes of Hell to spread Chaos across the Earth, warping it in nightmarish ways. Leading the seemingly hopeless struggle against the conquerors, Elric comes to understand finally the destiny appointed him, and that the fate of the entire world -- and the one that will follow it -- rests on his own, hideous sacrifice. Moorcock's imagination here is feverish and grotesque, the battles sequences are epic and thrilling, and the language is poetic and deeply tragic. Everything that has come before in the saga of Elric (principally in the five earlier novellas that make up "The Werid of the White Wolf" and "The Bane of the Black Sword," as well as the 1972 prequel novel "Elric of Melniboné") crashes together for the cosmic, cathartic conclusion. This stands easily amongst the best fantasy novels ever written, and fine example of dark, philosophic fantasy filled with imagery that you will never forget.

Moorcock says he wrote these because he was disappointed with Tolkien (who had been supportive of him in his boyhood) because Lord of the Rings didn't have the acceptance of death of the Eddas, Beowulf and so on. Stormbringer very closely echoes the Norse myths where heroes have to die in order to renew the world and while Moorcock lacks the sophisticated Anglo Saxon scholarship of Tolkien, he responds better to the raw subject matter of myth and legend. That is why Elric, while not as consistently written as Lord of the Rings, has its power and why all Moorcock's books have their power. He never avoids the fundamental realities of life. Indeed, they are his subject matter. As a result he can't provide the levels of escape Tolkien and his imitators offer. It is why Hamlet is at every level a superior work to Lord of the Rings. It is why Dickens was greater than his imitators and it is why Robert Louis Stevenson, H. Rider Haggard and Arthur Conan Doyle continue to last where there more favoured literary contemporaries have disappeared -- those writers rooted their adventure fiction in a solid acceptance of the real world, the harshness as well as the romance. Stormbringer is a fine, vivid read and it works, in spite of its origins almost. It is a significant book because it was Moorcock's first full-length novel and it contains most of the obsessions which he develops both through his Eternal Champion series and his mainstream literary novels like King of the City. In Moorcock there is no difference between fantasy and reality because his fantasy actually addresses the realities we all have to deal with and his realistic fiction frequently addresses our common fantasies. Above all, however, Stormbringer is a fast, furious, emotionally engaging and wildly exhilerating Good Read!

I think the ending brings out so much character and depth in Elric. It reminded me of the first book...thus reminding me of what Elric is and where he came from. Everything that you've read about Elric's history comes into focus on the last few pages. If you are trying to pick up a Moorcock book, read Elric of Melnibone' first. If you think the book says too much that the sword "drinks souls"...think about the title for one second, then think about the whole premise for Elric. I was amazed at that comment in one of the summaries, but hey, everybody is entitled to their own opinions. My two cents is this: this is one of the best series I have ever read, and it won't disappoint you. If you like fantasy and sword play, this is definitely for you. Elric helped to reconstruct all of fantasy...isn't that enough to want to make you read these books? It was for me! Enjoy.

The Elric books had everything: an original plot, one of the most fascinating characters in all of fiction, disturbing ideas about how much anything really matters, and a rich, dark atmosphere that instantly pulled you in. In Stormbringer, Moorcock brings this epic to a close in typically grandly tragic style. The end of the world, triumph through defeat(or the other way around?), the systematic isolation of Elric from all he cares about, and Elric's final quest to be forgotten all come together to make this series go out in a bang fitting to how quickly and strongly it gripped us all in the first book.