STATIONS: An Imagined Journey

This is fantastic book. An excellent story accompanied by some of the most delicately beautiful paintings. Flanagan is surely at the lead of contemporary artists. His paintings offers the most magica details and provide, not only a beautiful piece of artwork, but a strong emotional response that touches the heart of even the most jaded reader. There should be one in every home.

It is a tragedy that this book did not have the success it deserved. However, it remains an esoteric pleasure for those who are aware of it. With some of the most beautiful illustrations of any book I've ever seen, and a fully imagined landscape of a past America, Michael Flanagan creates a fictional world that crosses tracks with our own. In addition to the narrative, which is fine, one can enjoy the story just by flipping through the many pictures -- bent and torn "photographs" of decaying and dying old towns along a railroad line. This book works on several levels and is unlike any other book I've encountered.

"Stations" is a work of art that is an intense, exquisite expression of longing. It evokes a sense of place and time that is half remembered, close by yet out of reach, and infused with sweet loss.For Model Railroaders, especially, this is a meaningful book that conveys a lot of what the hobby is about: the desire to hold fast to that which must dissipate. (Of course, the hobby is about other things, too, such as: Fun!) A character in "Stations", Virgil Ross, is modeled after the Eminent Model Railroader John Allen. What a beautiful irony - a character that is a model of a Master Modeler.The support of Jacqueline Kennedy Onassis in the development of "Stations" provides another special aspect to this book that adds to its allure. It is engaging to contemplate the interest of our suave, cosmopolitan, precious Jackie in the expression of longing embodied within the likes of a Virgil Ross, and captured so beautifully by this book. Yet another example of how we hardly knew her.I keep going back to this book, to re-read random paragraphs, to gaze longingly at its illustrations, to re-capture the emotions, the sadness and joy, it summons. When I hold this book, I want to somehow caress it.

Flanagan doesn't just tell a story in this marvelous book. He creates a rich, vivid world--layered with multiple generations, multiple cultures, multiple landscapes--and he does it in fewer pages than lesser novelists would use for throat-clearing. Along with being a writer, Flanagan is a painter who has illustrated his story with dazzling paintings that focus on the train stations of rural Virginia. More than mere illustrations, however, these pictures play the role of recently-discovered heirlooms. As illustrations, they beautifully depict the sad, vanishing life of the people that inhabit this bittersweet world. As palimpsests, they also tell a story of their own. Flanagan has done far more than write a magnificent novel. He's merged written story and visual artwork into a powerful new medium. Truly a tour de force