Spider-Man Confidential: From Comic Icon to Hollywood Hero

This is a great book on all the politics and ego clashes that have gone into making all the various Spiderman incarnations throughout the years, on TV, the cartoons and the films. The one down side of it all is - no pictures. Then, too, it is also billed as an unauthorized bio so it would be fitting that Marvel Comics would not permit any artwork to be used (see the DC Comics approved Les Daniels histories if you want the watered down histories of comic book characters). Particularly of note is why Steve Ditko left drawing Spiderman in the first place (according to the book, he didn't like Stan Lee), why the great Spiderman cartoon of the 1990's was cancelled (network idiocy, according to series writer John Semper), and why James Cameron never got around to making the Spiderman movie (after Titanic was made, he felt he was too big for it). This is a no-holds barred look at the Spiderman franchise, all it's good incarnations and it's bad (like the awful Nicholas Hammond TV show and the last terrible Spidey cartoon, Spiderman Unlimited). It isn't a comprehensive book, but it is a valuable resource for those of us who always wondered why such a great character never received (until recently) a good screen treatment. In the past, according to the book, Marvel Comics was mostly just interested in making a buck on Spiderman, could have cared less how he had been portrayed. These days, since they're owned by Toy Biz, they have an interest, at least - to sell more Spiderman toys. The fact that so many pin-headed executive types have been involved with the character over the years makes you grateful that the character has been as creative as he has. Spidey's greatest villain is not the Green Goblin, it's all those network execs that have kept trying to dumb him down for televison or improve on an already good idea.