Spider Eaters: A Memoir

After reading "Spider Eaters" and several books like it ("Son of the revolution", "A Woman's ordeal", "Troublemaker".. ect) I wasn't Sure how to review this one. "Spider Eaters" is a much more complex memoir than the others. "Spider Eaters" does not have the simple emotional punch of other memoirs in it's class yet as a memoir it works well. As a first person acount of mordern China it works well but the book is so much more than just a personal History. Spider Eaters is probably best described as a personal psychologial drama. How does a poor little rich girl survive the mental abuse that is the demonicaly inspired communism of mordern day china? How does a girl with dreams and aspirations of any little girl suppress those dreams and thoughts when they conflict with the strict communist party line and exposing them can mean ruin?Rae Yang first creates a fantasy hero, an almost Christ like figure who resuces the poor stands up for the wokers even to the point of death. Later when "politicaly correect" she transfers that figure to Chairman Moa and ultimately begins to see herself as that figure. A Savior who is betrayed by those she loved. Later still while living in the US she must find ways to reconcile all the various personalities into one functioning adult. A psychologist could have a field day with this book. Spider Eaters to me is a frighting look at the damage Communism can do to the minds of those it inslaves, and how a person can cope once freed of it's grasp.

Spider Eaters is a haunting and lyrical memoir of a young girl growing up during China's most violent and provocative days. Rae Yang tells a little told story of the inside view of the Cultural Revolution, Nationalist politics and the ties between men and women in her old country. The mastery of this story, is that Yang concentrates less on the history of China, but the effect of that history on it's people. She write about how the cadre's children were supposed to sympathize completely with the working class, however, how could they do that when at every chance, Yang describes them as being completely isolated from the reality of such poverty. Communism at it's height, anyone accused of speaking, or even thinking, words against the Party, could be imprisoned, tortured and/or killed. Society looked down upon selfishness and the ego. Yang's description gives us the picture of a girl torn between two worlds, between herself and her loyalty to the Party, between her loyalty to the Party and her loyalty to her parents and friends, between respect for authority and contempt for such high-handed practices as "campaigns." When the Cultural Revolution begins, Yang's story of a lost girl continues as she turns on those who had been her peers and mentors, becoming the evil that she had unconsciously fought against all her life. This story is meaningful and eerie, in that it describes fully the effect of political influence on the youth, their power over the rest of the world, and their power to change society itself. However, it better describes what this mistreatment of young people can lead to-a burden of guilt and pain surround Yang's words, a guilt that past practices continue to make her unable to fully describe, although she is not permitted to. Her real thoughts are muddled and unclear throughout the novel, leaving the reader to draw his own conclusions--a hardy, but somewhat annoying task. The real interest is in her thoughts, not what we believe about the circumstance. All in all, this book is a beautiful and eloquent novel, highly recommended to anyone interested in Chinese culture.

Spider Eaters is a haunting and lyrical memoir of a young girl growing up during China's most violent and provocative days. Rae Yang tells a little told story of the inside view of the Cultural Revolution, Nationalist politics and the ties between men and women in her old country. The mastery of this story, is that Yang concentrates less on the history of China, but the effect of that history on it's people. She write about how the cadre's children were supposed to sympathize completely with the working class, however, how could they do that when at every chance, Yang describes them as being completely isolated from the reality of such poverty. Communism at it's height, anyone accused of speaking, or even thinking, words against the Party, could be imprisoned, tortured and/or killed. Society looked down upon selfishness and the ego. Yang's description gives us the picture of a girl torn between two worlds, between herself and her loyalty to the Party, between her loyalty to the Party and her loyalty to her parents and friends, between respect for authority and contempt for such high-handed practices as "campaigns." When the Cultural Revolution begins, Yang's story of a lost girl continues as she turns on those who had been her peers and mentors, becoming the evil that she had unconsciously fought against all her life. This story is meaningful and eerie, in that it describes fully the effect of political influence on the youth, their power over the rest of the world, and their power to change society itself. However, it better describes what this mistreatment of young people can lead to-a burden of guilt and pain surround Yang's words, a guilt that past practices continue to make her unable to fully describe, although she is not permitted to. Her real thoughts are muddled and unclear throughout the novel, leaving the reader to draw his own conclusions--a hardy, but somewhat annoying task. The real interest is in her thoughts, not what we believe about the circumstance. All in all, this book is a beautiful and eloquent novel, highly recommended to anyone interested in Chinese culture.