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Hardcover The Beat Hotel: Ginsberg, Burroughs, and Corso in Paris, 1957-1963 Book

ISBN: 080211668X

ISBN13: 9780802116680

The Beat Hotel: Ginsberg, Burroughs & Corso in Paris, 1957-1963

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Book Overview

The Beat Hotel has been closed for nearly forty years. But for a brief period-from just after the publication of Howl in 1957 until the building was sold in 1963--it was home to Allen Ginsberg, William Burroughs, Gregory Corso, Brion Gysin, Peter Orlovsky, Harold Norse, and a host of other luminaries of the Beat Generation. Now, Barry Miles--acclaimed author of many books on the Beats and a personal acquaintance of many of them--vividly excavates this remarkable period and restores it to a historical picture that has, until now, been skewed in favor of the two coasts of America.A cheap rooming house on the bohemian Left Bank, the hotel was inhabited mostly by writers and artists, and its communal atmosphere spurred the Beats to incredible heights of creativity. Its inhabitants followed the Howl obscenity trial, and they corresponded with Jack Kerouac as On the Road was taking off. There Ginsberg wrote "Kaddish," "To Aunt Rose," "At Apollinaire's Grave," and "The Lion for Real," and Corso developed the mature voice of The Happy Birthday of Death. The Beat Hotel is where the Cut-up method was invented, and where Burroughs finished and published Naked Lunch and the Cut-up novels. From a party where Ginsberg and Corso drunkenly accosted Marcel Duchamp and Man Ray, to an awestruck audience with Louis-Ferdinand C eacute;line a year before he died; from a drug-addled party on a houseboat on the Seine with Errol Flynn and John Huston, to Burroughs's near arrest as a heroin dealer: mischief, inspiration, and madness followed the Beats wherever they went. Based on firsthand accounts from diaries, letters, and many original interviews, The Beat Hotel is an intimate look at a crucial period for some of the twentieth century's most enduring and daring writers. This description may be from another edition of this product.

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Art Arts, Music & Photography

Customer Reviews

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Rated 5 stars
One-star hotel -- five-star book!

The goings on in this decrepit old Paris Hotel, run by an old French lady who cooked Cassoulets for the guests, were astounding. A gathering point for starving artists, especially planetary beatniks, we discover that the unbridled use of hard drugs and graphic homosexuality were a lot more common than Eisenhower would have let us in America think! *.* This book is a hoot but I want to say up front that it was seriously well-researched...

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Rated 5 stars
Fascinating, Scholarly Sketch of Literary History

The first time I read this book, I turned back over to the first page and read it again. It was that good. I am a huge Burroughs fan, and I learned a new appreciation for Allen Ginsberg, Gregory Corso and Brion Gysin. The grist of this book provides insight into the day-to-day maze of creativity whose epicenter happened to be Post WWII Paris. If you are looking for a fresh, lively, intelligent glimpse into the creative process...

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Rated 5 stars
American Bohemians in Paris

This book is an exploration of the American beat movement during a time period in which most of it major representatives, (not including Kerouac or Gary Snyder) were in Paris at a cheap, nameless hotel located at Rue Git-Le-Coeur, and managed by one Madame Rachon. The hotel was cheap and unsanitary. As long as the guests paid there bills, Madame Rachon allowed them a broad range of freedom in their eccentric lifestyles...

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Rated 5 stars
A five-star Hotel.

Miles' book succeeds in answering the question, "What is Beat?" During the years 1958 to 1963, the residents of Nine, Rue Git-le-Coeur were marching to a different beat in Paris. While Camus, Sartre, Beckett, and Simone de Beauvoire were exploring existentialism in nearby cafes (p. 66), the Beats, including Allen Ginsberg, William Burroughs, Gregory Corso, and Brion Gysin were rooming at "The Beat Hotel," engaged in a "sustained...

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Rated 5 stars
Sex and Drugs and What it Beat

This book is an important, often funny, illuminating look at an extraordinary period in the history of popular culture. It will be enjoyed by anyone with even the slimmest interest in the history of western literature, art and the moral evolution of western man in the waning years of the second millennium. The squalid Paris rooming house at rue-Git-Le-Coeur didn't have a name. It was just an address to which, because...

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