Sounds

There are and have been, of course, other poets who pay a heavy devotion to the aural aspects of their work in sacrifice of a literarily traceable constructed set of metaphor and message. Cummings comes immediately to mind. However, to my knowledge (and please write me if you can add any) there are none that create such a level of intrigue and pleasure so simply with such mundane tools. Here Kandinsky shows us the incredible wealth of metaphor and depth in the utterly everyday. To so deftly focus our interest on small phrases, a "hello," a "goodbye," is very difficult to achieve without appearing melodramatic and obvious. These are simple poems for thoughtful people. (As opposed, I suppose, to thoughtless poems for simpletons?)