Sorcerer's Moon

I loved this series, I recommend that people read it if they enjoy an intelligent story that keeps moving and doesn't disappoint.

There are some authors out there that I will read sight unseen; that is, no matter what genre they're writing, I'm going to give the book a try. One of those authors for me is Julian May -- I've been a cheerful addict of her books ever since her magnificent Pliocene Saga. Now she has wrapped up a new three part saga set in the fantasy world of the Boreal Moon. With the third volume, Sorcerer's Moon, there has been a long period of relative peace for a fledgling empire. For sixteen years Conrig Wincantor has the Sovereign of High Blenholme, hiding his own dormant magical powers that would disqualify him for kingship, and ruling in a particularly ruthless, if efficient way. And with two sons that are eligible to follow him, it doesn't look like things are going to be changing in the near future. And as for Deveron Austrey, the narrator of this tale, he's vanished after the events in Ironcrown Moon , and lives an uneasy exile. But the woman he abandoned, Iduna, has come to him, not out of love it seems, but to bring Deveron back into the schemes of the Source, a mysterious being who is conducting a great plan to rid Blenholme of the Beaconfolk, the shifting lights in the northern skies. And now, it seems that a new set of players have entered the game. Conrig's heir, Orrion, has no desire to marry the girl his father has chosen for him, and climbing to the top of the mountain known as the Demon's Chair to beseech the Lights or Demonfolk to help him get out of the deal. Let me marry the girl I love! he cries out -- and looses his right arm in the process, an action that disqualifies him to be king, and makes his twin brother, Corodon, heir. Corodon, who's a bit vain, and not nearly as thinking as his brother, is pleased as could be to be his father's successor, but many fear that he's not going to be up to the task. The Beaconfolk, able to grant supernatural powers in exchange for human suffering, use moonstones carved into sigils and shapes for their magical doings. Deveron, who has a few gifts of his own, knows all too well what sort of suffering can be exacted for the use of the moonstones, for he has two of the great powers in his own hands, and does everything that he can not to use them. New characters and old ones are coming to play in this final volume as well. The Salka, monsterous, magic-using, amphibians have taken over the kingdom of Moss, endlessly planning how they can destroy humankind, and waging a never-ending guerilla war against King Conrig. But the exiled Conjure-King, Beynor, thought to be long dead, makes a return, and it seems that he's matured a bit in the years -- he's nearly, likeable. And a young woman, Casya the Pretender, has been putting her forth her own claim to be Queen of Didion. Finally, the first wife of King Conrig is anything but dead, and Princess Maudrayn has her own ambitions in play. It's a complicated, detailed story, full of politics and double-dealing, as well as the more usual battles and spellcasti

If you liked the first two books of this trilogy, you'll like this conclusion. In retrospect, what Ms. May is basically stating is that "power corrupts, ambition corrupts, the two combined are deadly, and only the responsible, restrained use of power in the most noblest of circumstances is worthy." This is a different kind of fantasy. A solid story, not especially convoluted. We fans of the genre are used to more fantastic, more outlandish, more emotional. We are used to seeing characters suffering undue emotional and/or physical hardship. In many cases, we are used to bonding to a handful of characters and getting to intimately know them. Instead, we have a well-written story. Ms. May jumps to and from the major players throughout once again, telling a story. The writing flows easily, and there are moments of very nice word choice that make me sentimental for Ms. May's older style. The characters grow somewhat, but we still never get to know them all that well. Consistent. This trilogy opened as the memoirs of the exiled Royal Intelligencer Deveron Austery sought to "rewrite history" to more accurately convey "what really happened." The message, again, was that the existing monarchy had retrospectively sought to alter what had really happened to put forth a more palatable facade. Since we have never seen the altered history of this fantasy world... something is missing for the reader. Ms. May tells the story perspectively from how Deveron might choose to write a history text-- but this trilogy is typical third person narrative. In terms of organization, it is actually quite typical of Ms. May books-- but we lack the extreme, living characters we are used to from her. Don't get me wrong, below-average for Ms. May is above-average for most fantasy authors-- I never question the decisions of the characters as inconsistent. But they lack the life, the intimacy I look for. But she writes just enough to convey the events and motivations, without any "eye-candy". Even the climax occurs almost too quickly-- perhaps the editors made her meet space limitations. I don't know. And the epilogue is wholly unsatisfying, albeit not that we really care in the long run. The final sentences say it all: "And for my dearest Induna... (Deveron's love and wife)? My memories of her are none of your business." Problem is, he is our hero and his love, ultimately, and we want *some* details of how they lived together status post saving the world. Whether intentional or not, I don't think Ms. May's choice to undercut the heroism of her characters (e.g. Ullanoth's self-sacrifice) works well for the story. If Ms. May is trying to say how too many heroes go unnoticed in saving the world, I think she should have made it a bit more obvious, if only by lettign us get to know them first, before they die. Still it kept me interested, the pages kept turning, and I finished in a fairly short amount of time (if I am still reading a book at 3 months unfinis

High Blenholme Island contains four separate kingdoms, vassal states to the sovereignty of King Conrig Ironcrown, who also rules over Cothra. When he united the island monarchies, he also dreamed of conquering the mainland, but the reality is that he is besieged on all sides leaving his present control precarious especially with the sentient amphibious Salka wanting to reclaim the island that was once belonged to them before the humans came and pushed them into a small backwater area of Moss. His son and heir Orrion appeals to the sky beings to get him out of a political marriage so that he can wed the woman he loves. The incorporeal beings of the sky grant him his wish, but the law removes him as heir and his twin Prince Corodon replaces him as first in royal succession though he is unfit to rule; Orrion knows that. Conrig's first wife, long thought dead, proves to be alive and desperate to speak to her son Dyfrig to inform him he is the rightful ruler as neither of the twins are eligible since they are offspring of another woman who they inherited magical skills from. The Salkas are invading and the royals are divided with Conrig the only apparent person capable of bring everyone together, but he is losing his grip on reality as he thinks more of his own personal demons and his desire to conquer the mainland invasion than defending the island. SORCERER'S MOON is the third and final book in the Boreal Moon trilogy and it ties up loose ends that were left dangling from the previous tales. Humans obtain help from the powerful skybeings especially the one condemned to live beneath the ice because he lost a civil war that has exiled many while the beaconfolk try to enslave humanity in their sick twisted game. Even with this powerful ally that may not be enough in the war with the Salka as mankind is unable to come together and another dangerous foe lurks. Julian May creates a world filled with wonder, magic and battlles that seems plausible, which makes this fantasy a winner. Harriet Klausner