Michael Ann Holly is fascinated by a silent route rarely chosen in the historical and critical history of art: the poetic possibility of phenomenology.
Selecting early modern paintings by Bellini, Patinir, D rer, Rembrandt, Aertsen, Breughel, and Sassetta, she imagines what a range of classical phenomenologists in the twentieth century might quietly contribute to the understanding of these canonical works of art. This special brand of philosophy...
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