So Vast the Prison

A somewhat difficult book to read, unless one is familiar with the French post-modernist style (Derrida, Cixous) however well worth the effort. This is an ambitious book that explores the power-relationships between men and women, husbands and wives, colonists and colonized, French and Arabs, Arabs and Berbers as well as the power implicit within spoken and written language, using a poetic, somewhat cinematic style (Djebar is also a film-maker)that meanders between what is apparently a semi-autobiographical narrative and (somewhat)straightforward historical writing, focusing on both modern and ancient Algeria.This is not a book that one can skim through and still understand: however the end result is insightful and haunting and leaves one wishing for more.