Sincerity and Authenticity

This book, based on lectures he gave at Harvard in 1970, is delight. Trilling draws a fine but deep distinction between two conceptions of selfhood. Sincerity, or being true to yourself with an eye to being true to others, was the dominant concern of Renaissance and early modern thought and literature, from Shakespeare to Rousseau. Beginning with Wordsworth, gaining momentum throughout the 19th century, and finally emerging with full force in the 20th, though, there is a new, more morally demanding ideal of being what or who one is, apart from all external conditions. Trilling's discussion wanders about quite freely, but his observations about literature and ideas are always brilliant and refreshing. Highly recommended.