Alex Wong's first collection, Poems Without Irony (2016), was a book that took nothing for granted, that broke through to the particularity of things and experiences, distrusting and defying generality. Elaine Feinstein celebrated the 'extraordinarily new rhetoric for his love poetry' whilst David Morley commended his 'linguistic finesse'. Shadow and Refrain presses on, less coyly, with similar themes and a tenacious syntax that gorgeously persists...
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Poetry