Walt Whitman: Selected Poems

This collection contains twenty- four pieces from the work of America's greatest poet. Whitman is the quintessential American poet the one who speaks for the heart of the nation, the great cataloguer of its vast varied landscape and life. Great poems such as "When Lilacs Last in the Dooryard Bloomed" and " I sing the body electric" provide the reader here with a true sense of Whitman's work. Whitman with all his greatness can at times be plodding and tiring, and turn the open- road catalogue into a formula-like list. But mostly he is the celebrator of the American people in their great outward expansion through their own cosmic continent. This work is represents fairly the one who even in his own time Emerson saw as the great representative American poet.

There was a time I didn't much care for Whitman's poetry -- what seemed to me its self-conscious pretentiousness was a turn-off. (Whitman himself acknowledged that his style was all-too readily parodied.) It was only when, 30 years ago, I heard Rip Torn read it, I began to acknowledge its power and originality. Nevertheless, I was still bothered by an overly self-aware, "straining for effect" quality -- until I found this collection. Gary Schmidgall has done what should have been done a century ago. His collection, comprising half of Whitman's poems (about 80% of the total number of lines he wrote), restores them to their first versions in the correct chronological sequence. We now hear Whitman speaking to us with his original animal vigor. Whitman himself admitted this: "...there was an immediateness to the 1855 edition, an incisive directness, that was perhaps not repeated in any section of poems subsequently added to the book: a hot, unqualifying temper, an insulting arrogance (to use a few strong words) that would not have been as natural to the periods that followed. We miss the ecstasy of statement in some of the after-work..." More significantly, Whitman's subsequent emasculation and de-sexualizing -- to confuse and obscure the issue of his sexuality -- is removed. Whitman's originals are often more graphic, more-bluntly sexual. It's easier to see why most critics were offended. It's unfortunate Whitman's changes to "Leaves of Grass" made it less controversial. Perhaps the Schmidgall edition will encourage libraries that ban "Huckleberry Finn" to also ban "Leaves of Grass." If you haven't read the original, 1855 edition of "Leaves of Grass" -- as well as Whitman's unsigned (and bluntly meretricious) reviews, and the contemporary reviews of academic critics -- you haven't read Whitman. I was especially moved by the last few pages of "Song of Myself," which I had never read. Schmidgall includes a copious quantity of notes, excerpts, and reviews. The material from Whitman's notebooks make it clear he knew exactly what he was doing -- creating a new, original, wholly American poetry not modeled on Classic, European, or British forms -- and why. If America is the land of self-definition, Whitman was the first American poet to make that self-centeredness the focus of his works. This edition is a must-own for anyone with the least interest in Whitman. Or dis-interest, for that matter. You might change your mind.

This review is about the Dover Thrift Editions publication entitled "Walt Whitman Selected Poems" [Unabridged]. 119 pgs.If you are any kind of fan or student of Walt Whitman, you probably own (or at least know of) "Leaves of Grass", which is THE definitive collection of Whitman's work, as it contains virtually all of his poems. Over the course of his lifetime, he continually added, revised and reorganized his material, right up until his death in 1892. Several additional poems were added to the 1897 posthumous edition, but the 24 poems chosen for this particular collection ("Selected Poems") appear unabridged and in the original chronology, as they appeared in the final Whitman edition of `Leaves' in 1892.The Table of Contents lists both the names of the poems and the Section titles under which they fall in `Leaves', for easy cross-reference if you feel so inclined. In the rear of this book are two lists that readers who are already familiar with Whitman's work might find helpful for easier reference - Alphabetical List of Titles & Alphabetical List of First Lines - although readers who are new to Whitman may find no use in them at all.In short, this book is good (and CHEAP CHEAP CHEAP!!!) for those who merely wish to acquaint themselves with one of America's most well known 19th century Poets. However, if you already have an appreciation for Whitman, you might do better sticking with `Leaves of Grass' (which you probably already own or have read anyway!). I have given this book 4 stars, from a new student perspective. It would have been nice to have a little bit of biographical info on Whitman to round out the experience, but you can't beat this book for the price!

This book is highly entertaining and quaint, and it also teaches acceptance and peace through example. With views that even today are still evolving in America, Whitman almost seems to have written this book in 2050, and just slipped it back in time for us to read now.