Maurice Blanchot emerged after World War II as a key figure in the literary world, though he was known by some of his contemporaries in France for his prior involvement in far-rightist politics. How did this happen? Why have literary critics, as in the cases of Martin Heidegger and Paul de Man, chosen to ignore or suppress Blanchot's right-wing interwar and wartime writings, focusing instead on his postwar production? Scandal and...