Eric Brighteyes

See the anecdote, recorded in Douglas Anderson's TALES BEFORE TOLKIEN, that states that Tolkien praised this.

H. Rider Haggard wove a tale in this book of romance, intrigue, magic, heroism and battle which is so like that of the Icelandic Sagas one could think this would be included in a collection of historical Sagas. Eric Brighteyes, a young carl in Iceland loves the daughter of a priest of the old way, who is also quite wealthy and doesn't belive Eric Brighteyes as worthy of wedding his daughter and so dares him to a feat of daring thinking that Eric wouldn't do it. After acomplishing this Eric must leave Iceland because of legal troubles, and his story of adventure afar is told, as is that of his would-be bride at home as well as that of another woman who loves Eric, and who would do anything to get him.In the midst of this are woven tales of battle and comraderie among warriors, the harsh life of the Icelanders, magic of woe and weal, and the weave of wyrd set by the Norns.

The author of numerous romance-adventures in the 19th century tradition, Haggard turned his hand, at least once, to the older saga tradition of the northern peoples. The result may well have been his best work. Skillfully crafted, this tale proceeds at breakneck pace to unfold the saga-like adventures of the stout Icelandic yeoman, Eric Thorgrimurs' son (surnamed 'Brighteyes' for his most notable trait), as he struggles to win the hand of his beloved, Gudruda the Fair, despite the vigorous opposition of her half-sister, Swanhild the Fatherless (who seeks Eric for her own). Caught between these two beautiful women and faced with the need to overcome the opposition of Gudruda's father, Asmund the Priest (not the Christian sort) and his son, the greedy Bjorn (who would prefer to marry his sister off to a wealthy chieftain in lieu of a liaison with the farmer's son Eric), our hero must prove himself worthy of his destined bride while dodging the snares of those who would unman him. Conspiring with her mysterious mother, Groa the witchwife, Swanhild arranges to have Ospakar Blacktooth, a northern chieftain from Swinefells, pay Asmund's household a visit in order to see and woo Gudruda for himself. This Ospakar and Eric become immediate foes for Ospakar is as ugly and vile as Eric is handsome and honorable. And the tale only accelerates from here. From death-defying feats of derring-do to duels between deadly foemen to treachery and mayhem in blinding blizzards and on the high seas, this is an adventure which, once having grabbed you, will not let you go. Written in an archaic prose, mirroring the old nineteenth century translations of the original Icelandic sagas, and intended to simulate the voice of the old sagas themselves, the power of this narrative is compelling and unrelenting. And yet it is less exhausting than exhilirating as it unfolds the tale of Eric and the two women who loved him -- no matter what the cost. If the tale has a flaw at all it is that the characters are not real in any sense of that word but only larger-than-life actors who strut about upon the stage which Haggard has drawn for us here. At the same time the sensibility offered is one of pure and unmitigated adventure. But it's great fun and marvelous escapist fare. A must for lovers of Norse and viking times. SWM The King of Vinland's Saga

A must for all Haggard fans, "Eric Brighteyes" is strongly recommended to anyone who enjoys a great tale of heroic endeavour. Perhaps the fastest-paced of all Haggard's many novels, it races from one highspot to another with manly verve and vivid scene-setting. The stalwart Eric and his "thrall" Skallagrim fight back to back against a horde of foes, while two beautiful women vie for Eric's love. The eerie battle at sea is an exciting read in itself, to say nothing of all the rest. Eric is one of the most virile of Haggard's heroes and, like so many of them, is susceptible to earthly temptations and ambitions---unlike Haggard's too often impossibly spiritual females. The reader familiar with Haggard's favourite "archetypes" will recognize in Eric, Skallagrim, Gudruda the Fair, and the wicked Swanhilde the traits of a cast of characters immortalized under other names, in other times and places, in other titles of his famous canon. "Eric Brighteyes" is also distinguished by an interesting author's preface that furnishes some insight into Haggard's imaginative overlay of "high romance" and occult themes on what, in a writer of less lively invention, might have been just a simple adventure story. Both heroes and villains come on strong with splendid confrontational dialogue before coming to blows. A feast for escapists of all ages! Long may it remain in print.

The author of numerous romance-adventures in the 19th century tradition, Haggard turned his hand, at least once, to the older saga tradition of the northern peoples. The result may well have been his best work. Skillfully crafted, this tale proceeds at breakneck pace to unfold the saga-like adventures of the stout Icelandic yeoman, Eric Thorgrimurs' son (surnamed "Brighteyes" for his most notable trait), as he struggles to win the hand of his beloved, Gudruda the Fair, despite the vigorous opposition of her half-sister, Swanhild the Fatherless (who seeks Eric for her own). Caught between these two beautiful women and faced with the need to overcome the opposition of Gudruda's father, Asmund the Priest (not the Christian sort) and his son, the greedy Bjorn (who would prefer to marry his sister off to a wealthy chieftain in lieu of a liaison with the farmer's son Eric), our hero must prove himself worthy of his destined bride while dodging the snares of those who would unman him. Conspiring with her mysterious mother, Groa the witchwife, Swanhild arranges to have Ospakar Blacktooth, a northern chieftain from Swinefells, pay Asmund's household a visit in order to see and woo Gudruda for himself. This Ospakar and Eric become immediate foes for Ospakar is as ugly and vile as Eric is handsome and honorable. In an intial conflict between them, Eric outwrestles Ospakar, winning his magic sword from him, despite the evil workings of Groa to bring about Eric's defeat. In this manner, Eric at last wins over the reluctant Asmund, who now promises him his daughter. But in the process Eric incurs the jealousy of Bjorn who resents his successes as much as he does the possibility that this bright but impoverished hero will win his sister's hand. The lost sword proves a sore point for Ospakar as well who tries to regain it via a dastardly ambush, but Eric and his new found companion, Skallagrim Lambstail, a former berserker and thief who has himself been the victim of Ospakar's ill-doings, overcome the larger force arrayed against them, wounding Ospakar and killing some others to boot. As a result, Eric must go into exile as an outlaw for three years, after which he is to be free to return and marry Gudruda. But Swanhild, in a pique at how things have turned out, contrives to kill Gudruda. Discovered in this perfidy, she is married off against her will to a visiting Orkney Earl, Atli the Good, who is well on in years and sent off with him to the Orkneys. Eric again reveals his warlike talents in another ambush by Ospakar's minions, this time at sea, but is finally taken captive with Skallagrim due to the dastardliness of Eric's own first mate. Yet Eric is able to free himself when warned of the impending treachery of his captors by the sorcerous intervention of Swanhild who has continued to monitor his progress from her unhappy abode in Atli's hall. Eric goes on to a distinguished career in the service of the English King Ed