Welcome to Rootabaga Country--where the railroad tracks go from straight to zigzag, where the pigs wear bibs, and where the Village of Cream Puffs floats in the wind. You'll meet baby balloon pickers, flummywisters, corn fairies, and blue foxes--and if you're not careful, you...
"Takes the home-bred American fantasy of The Wizard of Oz even further ... An old favorite, which no American child should miss." ― School Library Journal.
"These stories out of the Rootabaga Country... have taken root in American soil -- they are here...
The whimsical, sometimes melancholy stories, which often use nonsense language, were originally created for his own daughters. Gimme the Ax decided to let his children name themselves. "The first words they speak as soon as they learn to make words shall be...
Originally published in 1922, the Rootabaga Stories was written by one of America's most beloved folk chroniclers, Carl Sandburg. He wrote these stories for "people from 5 to 105." "I knew that American children would respond, so I wrote some nonsense tales with American foolin'...
Gimme the Ax decided to let his children name themselves. "The first words they speak as soon as they learn to make words shall be their names," he said. "They shall name themselves." When the first boy came to the house of Gimme the Ax, he was named Please...
In the village of Liver-and-Onions, there was a Potato Face Blind Man who used to play an accordion on the corner near the post office. The sometime narrator of these tales, he transports readers and listeners to Rootabaga Country, where the railroad tracks go from straight...
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for...
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this...
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely...
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely...