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Hardcover River Town: Two Years on the Yangtze Book

ISBN: 0060195444

ISBN13: 9780060195441

River Town: Two Years on the Yangtze

(Book #1 in the China trilogy Series)

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Format: Hardcover

Condition: Good

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Book Overview

In the heart of Chia's Sichuan province lies the small city of Fuling. Surrounded by the terraced hills of the Yangtze River valley, Fuling has long been a place of continuity, far from the bustling political centers of Beijing and Shanghai. But now Fuling is heading down a new path, and gradually, along with scores of other towns in this vast and ever-evolving country, it is becoming a place of change and vitality, tension and reform, disruption...

Customer Reviews

5 ratings

Thoughtful account of an American's life in China

In his concluding remarks of River Town: Two Years on the Yangtze, Peter Hessler points us to the nub of his experience in China:"I had never had any idealistic illusions about my Peace Corps 'service' in China; I wasn't there to save anybody or leave an indelible mark on the town. If anything, I was glad that during my two years in Fuling I hadn't built anything, or organized anything, or made any great changes to the place. I had been a teacher, and in my spare time I had tried to learn as much as possible about the city and its people. That was the extent of my work, and I was comfortable with those roles and I recognized their limitations."In fall 1996, Peter Hessler, at the age of 26, took a Peace Corps assignment that relocated him to a small town in the Sichuan province of China. Many natives let alone a young American who made his inaugural entrance into the country did not know and hear of Fuling. It's a former coal-mining town that is bounded by the Yangtze and the Wu. Chongqing and the Three Gorges are just hours away by boats. The book chronicles, in a rather casual but detailed way, Peter's teaching experience at the Fuling Education College and his life and anecdotes in town. Interwoven into Peter's diary are descriptions of local landmarks and customs. This book is by far the most passionate and yet accurate and objective account written any foreigners. Peter really does possess a keen sense of his surroundings. Throughout his crisp, interesting prose and attention to details, the Chinese 'laobaixing' (common people) become alive as if we are actually interacting with them.I am in awe of how far Peter has gone in making meticulous observations of the Chinese culture and its people. A lot of what he mentions in this book is often overlooked by foreigners. To cite some examples:1)Cultural shock: Wherever Peter goes in town, he often gathers a crowd looking dagger at him, saying 'hello', calling name and following him. To his surprises later on, he realizes the town has never had a foreign visitor for at least 50 years. It is a mixed bag of xenophobia and curiosity for foreigners. No soon than Peter arrived in town than he realized that foreigners are usually treated differently in daily necessities and accommodation. Certain inns were forbidden to accommodate foreigners due to the untidiness. Foreigners often had to pay a higher fare for the steamboats. 2)Teaching style: Learning Chinese was excruciatingly painful for Peter (and for many Americans I'm sure). The Mandarin comes with 4 intonations and the thousands of characters have complicated strokes and dots. Suffice it to say that the slightest mispronunciation or missing a stroke in writing will reap a harsh admonishment from Peter's native Chinese teacher. 'Budui' is the devil word meaning 'wrong'. As Peter has pointed out, the Chinese teaching style is significantly different from the western methods. If a student is wrong, she needed to be corrected (or rebuked) immediately wi

An honest, engaging, amusing portrait of contemporary China

Modern China is a place ripe with ironies, and among the greatest of them is them is that the Chinese have no sense of irony. It takes an understanding outsider to appreciate these ironic idiosyncracies that Chinese themselves are so oblivious to, and a gifted and sensative writer to portray them without resorting to caricature or mockery.River Town is the most honest and insightful portrayal I have read of China in the late 1990s. Although it takes a small town in Sichuan as its focus, most of Hessler's astute observations are applicable to the rest the country, from metropolis to village. The book is not so much a travelogue as a 'socialogue'.Personally, having lived elsewhere in China during the same periods that the book describes in Fuling, I found myself nodding in agreement throughout the book, and laughing aloud in many a section. Hessler's characterizations, both of China and of how a Westerner changes after a few years in China, are dead on. River Town is the best book available for getting a sense of what China is like, on the most basic level, and explains why we who live here simultaneously love and despise the place. If you are an old China Hand, you will love this book. If you are a total novice to the subject, you couldn't find a more accurate and enjoyable introduction.

Very engrossing...the best book I've read in awhile

As a young Chinese-American who has traveled in China, River Town has quickly become one of my favorite books. Peter Hessler is both thoughtful and descriptive of his experiences as a PCV in China. I especially loved the parts of the book in which he talked about his students...he really brings them to life. It's easy to see that they changed his life as much as he impacted theirs. I also found Hessler's acclimation to his environment particularly fascinating. His reactions to new and sometimes delicate cultural situations reflects his laidback attitude, but is also telling of how willing he was to be apart of Fuling culture and society. He is also brutally honest, even with his own shortcomings in the face of his new experiences.It's true, he does come to the book with a Westerner's perspective, but then again, what do you expect? His love for China, however, and his willingness to engage the people in Fuling...to take on a Chinese identity, speaks louder than any detached political analysis could. He simply writes about his reflections, and I appreciate the honesty.I plan to give this book to all my friends who have moved to and travelled in China. It's definitely one of the best books I have read in a loooong time.

Excellent book! Funny, accurate, even-handed.

River Town is the best book I've read about China in a _long_ _long_ time. Having lived and traveled extensively in China, I can say that Hessler's descriptions are wonderfully accurate -- not only does he explain the physical features of the countryside well, he shows the complexity of being a _yangguizi_ in China, and how one's "foreign-ness" colors all of one's experiences.Hessler's self-mocking tone when he talks with locals about cheating foreigners, his interactions with _xiaojie_, and his students (especially Mo's last name) are hilariously accurate. His dealings with authority and China's past are insightful and balanced.I strongly recommend this book - those who have been to China will be flooded with memories, and those who haven't will learn about an important part of China from a perspective that is rarely seen.

From a Chinese point of view

Humane and observant. I was thoroughly impressed by the author's willingness to share his life with the ordinary Chinese, for I know it is difficult to do. Exactly because of that, many of his poignant remarks and analyses did not bother me at all. In fact, I envy him, for I cannot observe in the same way as he did, simply because I am a Chinese. I know he is so right on the numbness of the people who could quickly gather into a crowd over any stanger's suffering, so right about the linguistic violence to women done by the Chinese language, and so right about the senseless macho baijiu culture among men. I could have made the remarks, too, but I know they would lack the same sad humaneness. I do not have his detachment and therefore his penetrativeness.There was a haunting scene of Father Li's conversing in Latin with the author's own father, while the author was standing by and watching. Like the book itself, this scene shows that any barrier between peoples and men is either false or self-imposed or downright intellectual sloth. I really respect Peter Hessler!
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