The School of Whoredom

If you want to read a work that is literally pornography, you are in luck. Remember, pornography literally, etymologically, is "whore writing", or writing about or by prostitutes. Of course we have grown away from this literal standard, but _The School of Whoredom_ (Hesperus Press) by Pietro Aretino meets it. It consists of a classic dialogue (from the time when dialogues where the choice way of explaining ideas in astronomy and philosophy) between a whore and her daughter who will become a whore. This makes it sound quite a bit coarser than it really is. While the book is not without frankness and the translator has not spared four-letter words, it is a sophisticated satire on the morals of men and women. It is full of jokes, robust humor at the expense of courtiers, clerics, men, women, and different ethnicities of the sixteenth century. It has some advice to a daughter that works just fine in modern and less meretricious settings._The School of Whoredom_ (written around 1535) is not a work like Aretino's famous _I Modi_, called the world's first "stroke book". While it treats of the erotic endeavors of men and women, it could hardly be called an erotic work itself. Basically, it is instruction more on how to be a courtesan than how effectively to engage in coitus. As such, it is more about manipulation of the emotions of men than of their anatomy, and might be read as a prescient call to feminist solidarity. Whoring, mother Nanna reminds daughter Pippa, isn't easy: "So, you see, becoming a whore is no career for fools, well I know it..." She also advises, "You'd need more skills than a doctor to be a courtesan." There is plenty of other advice, some proverbial. "Never mock at the truth and never do harm with a joke." "Don't take pleasure in upsetting friendships by reporting gossip; avoid scandals; and whenever you can make peace do so." By such means, Pippa is to ensure her position of relative esteem in society, but always she is to be mindful of the bottom line: "... a courtesan whose heart pounds for anything other than her purse is like a greedy, drunken tavern-keeper..." who eats his own fare instead of selling it.While the liveliest parts of the book are the descriptions of ruses for parting punters from their extra cash, there are many pictures here of a vibrant society, one which valued good food and entertainment. Aretino's work shows they also liked satire. There is much here to expose those in power, and plenty that makes fun of the sexual peccadilloes from cardinals to monks and nuns. Nanna discusses the merits (or lack thereof) between Frenchmen, Spaniards, Romans, Florentines, and Germans, giving pride of place to the Venetians ("If I said everything they deserve to have said about them, people would tell me: 'Love has blinded you.'"). Nanna has triumphed over men for years, and is delighted with Pippa's prospects: "My heart swells so much with pride at seeing you at home in these affairs that I'm in raptures