Proof: A Play

Brilliant writing; Brilliant plot; Brilliant dialogue; Brilliant insight: You do the math. This one is a stellar accomplishment, full of sound and fury, signifying just about everything.I saw this on Broadway, going into it not knowing anything about it. I was completely blown away. The premise is fascinating and it presents a unique and interesting dilemma without being melodramatic.The writing, scene changes, and excellent characterizations remind me of other writers out there: Miller comes to mind, McCrae's Bark of the Dogwood (though a book, not a play) and even the great Hitchcock. Don't get me wrong--this is not some inept mystery but rather a psychological thriller of sorts, excellently paced and plotted. But I don't mean "thriller" in the commercial way. No, this is one unusual play, and obviously deserved every prized it ever won. Who knew that someone could take such a dry subject as math and create something as wonderful, lush, and eloquent as "Proof."Also recommended: Death of a Salesman, Angels in America, Bark of the Dogwood, Painting Churches.

For those naysayers who lament the death of the theatre, David Auburn's brilliant, intimate, touching ode to the mysteries of life, family, love and identity offers proof that contemporary playwrights are indeed creating brilliant works of art.Using four well drawn, three dimensional characters, Auburn paints a vivid portrait of a late mathemetician and his legacy of madness and genius. His youngest daughter may have inherited both as the play centers around identifying the authorship of a magnificent mathematical proof (which ends up being a brilliant use of Hitchcock's "McGuffin" rule).Auburn creates a play filled with an excellent series of suprises, revelations and passionate debates. His narrative is well structured as it provides the actors with clear objectives and a variety of tactics to explore and enact, all engaging the audience's attention and energy.Four of my friends recently produced the play and produced an evening of magic. A great theatrical experience demands a strong story to tell and Auburn provides such a vehicle with this, his Pulitzer Prize winning work. A brilliant piece of writing. A must read for theatre fans and practitioners alike. A most producable work as well. It would make for a fine addition to any theatre season.

Not since David Hirson's brilliant La Bete and Wrong Mountain has Broadway seen a more exciting play than Proof! I recommend this book to anyone who appreciates theatre that is as challenging as it is entertaining. I sent many friends to see the original production, and none was disappointed.

I recently saw the Manhatten Theater Club's production of Proof on Broadway, and I expect to find even more delightful surprises in my first reading of the script. David Auburn's examination of love, trust, and betrayal is subtle and moving. With a keen eye for true human nature, he pits the logic of mathmatics against our emotonal subjectivity and solves the conflict with simplicity and eloquence. His humor and clarity make this script a must-read for all who love intellectual/emotional power struggles. As a theater student, I read any play that falls into my hands, but rarely do I find one with such multi-layered characters matched by such an eloquently truthful plot. You won't be disappointed.

In the past few years there has been a resurgence of plays with themes centered around math and science and characters who are mathematicians and scientists. Thank heaven! Michael Frayn's "Copenhagen" is magnificent. Then there are two plays produced by the Manhattan Theater Club: "An Experiment with an Air Pump" by Shelagh Stephenson and this play, "Proof" by David Auburn. I think both are wonderful.After winning the Pulitzer, a shot at a Tony, and a continuing run on Broadway, Auburn really has no need for my good words; however, let me give a few anyway. This is a cleverly written piece. Unlike "Copenhagen," this play really isn't about mathematicians and scientists. It is just framed around them. No math skills are necessary to enjoy this play. Instead, it is an examination of love, trust, madness and genius presented through the lives of mathematicians.In fact, the only weakness in this play is when real mathematics comes up. I cringed when I heard the famous exchange between mathematicians G.H. Hardy and Srinivasa Ramanujan put in the mouth of Robert and Catherine, the father/daughter mathematicians at the heart of this play. It just rubbed me the wrong way.Fortunately, this is the only time math actually comes up. Instead, this play takes us into the lives of four very interesting people. I was fortunate enough to see a performance of this play on its second night on Broadway. I was incredibly moved. Mary-Louise Parker's performance as Catherine was particularly impressive. Reading the script, I was carried right back to the theater and could relive the experience again. I loved it.