Pro Tools for Video, Film, and Multimedia

This book was highly recommended to me by a Supervising Sound Editor and Mixer working in North Hollywood as the best book on Pro Tools. I would have to agree. From the very, very basic, to the extremely detailed, it will cover just about anything you need. I am a student currently studying Sound Editing, and I have recommended it to not only my peers, but also my instructors. Stop thinking considering other books, buy this one. I also highly recommend The Practical Art of Motion Picture Sound, by David Lewis Yewdall M.P.S.E.

A practical and "user-friendly" introduction to Pro Tools, whether by itself or in conjunction with compatible softwares such as QuickTime, Pro Tools For Video, Film, And Multimedia by Ashley Shepherd is an excellent and very nicely organized guide to the features of Pro Tools software, including how to make optimal use of it when working on the phases of a multimedia soundtrack project. Meticulous and down-to-earth examples and suggestions make Pro Tools For Video, Film, And Multimedia a first-rate and highly recommended guide for music engineers making the transition into multimedia, as well as independent filmmakers doing their post-production in-house; web designers adding audio content to their web pages; musicians composing for film, TV, or the Internet.

This is a terrific guide that covers all the basics of how to set up a ProTools audio system to for syncing and mixing to picture. Whether you're doing a soundtrack for a low-budget film, amateur DV video, or a big-budget TV show or feature film, there's a lot of information covered here. And it's much more thorough than the Digidesign manuals, and deals with "real world" situations that come up on a daily basis for anybody in the business.The book is not intended for a ProTools novice -- you'll need to already have a reasonable grasp of all the basics before you dive into Shepherd's book -- but the information covered there is concise, to the point, and best of all, it's very current (at least as of Summer 2003). I'd consider this book to be a must-have for anyone considering doing any mixing of sound effects, dialog, and/or music to video or film. Along with David Yewdall's excellent "Practical Art of Motion Picture Sound" (which covers a much broader scope of information), both books should be on the shelves of anybody in the movie/TV sound business. Highly recommended.