Priestess of Avalon

From the best-selling author that brought you The Mists of Avalon, comes another timeless, realistic Roman tale called The Priestess of Avalon, the story of a sacred priestess that leaves behind her religious life to follow a life of love, wisdom, and power. Marion Zimmer Bradley brings to life a world of Roman history, pagan wars, and religious controversy in this soon-to-be-classic. The spectacular style in which the story is written sends the reader into the body of a young girl. Each chapter is headed with a span of five years ranging anywhere from 259 and 329 A.D. as this epic saga continues. We see the story through Helena's eyes and become one with her and her many complex emotions. We are drawn to this personal point of view because it again gives us the feeling of familiarity and intimacy with the characters as our own sentiments are fused with Helena's. The dialect isn't very modern but it isn't written in Elizabethan dialect either. It is very simple to understand, except for the slight difficulty a reader may have with the Roman names. Besides that, the words are very common and the dialect is comfortably proper. A helpful tool Bradley provides is a glossary containing all of the names and places in the story and their correct pronunciation. There is also a map at the beginning of the book to tell you how far Helena's travels range. The situations are quite normal for the belligerent Roman period but very entertaining for the historical yet fantasy-craving mind. Chapters about battles and wars are not uncommon in this text and neither are family disputes and love affairs. The situations are based on real Roman battles, history, and gods so the book could be named some type of historical fiction. I'd also say that Bradley has captured the essence of the ancient Roman government quite well. Despite its historical accuracy, this novel is still considered pure fantasy because of fairy apparitions and such appearances by legendary characters in the book. The breath-taking setting is definitely one of the elements that make the story so impactful. The lush, green valleys of Britannia and the warm humidity of bustling Rome intertwine with the spice-perfumed streets of Palestine and trade-posts in between the many voyages in the story. The descriptive language that describes each place helps transport the reader do that the events are more understandable. These settings already add some seasoning to the already favorable plot so that it's impossible to want to put this book down. The characters are very interesting and they vary from angry, power-hungry sons to secretive, mysterious faeries. The characters definitely keep the plot going because of their human and complex personalities which keep the story chopped full of surprises, very similar to real life. Constantine, the power-hungry Emperor that is the son of Helena, keeps the story full of tragedy and murder. Constantius, Helena's devoted lover, gives the story romance and a love for l

Reading this book was like reading Anne Rice's 'Pandora.' Like Pandora, Priestess's pace was quick and we are swiftly ushered from one stage of Helena's life to the next, and like frogs hopping across lilypads, we follow Helena through her triumphs and ordeals.This book is also written in the 1st person, which I thought added an element of intimacy and warmth. This was, after all, the story of a woman's journey through life. It's a story of the lessons she's learned and losses she's had to bear. It's also very Helena-centric, so it only makes sense to write in the 1st person to more easily convey her thoughts. Probably for the reasons others didn't like this book, I loved it. It didn't meander about and dilly-dally, taking its time to tell its story. It got straight to the point and whirlwinds you through Helena's life, which adds a cyclonic, dramatic element, which is appropriate. The love story Bradley and Paxson write for Constantius and Helena is passionate, endearing, and bittersweet.A lot of what Marion Zimmer Bradley must have been dealing with- her attitudes, opinions, and regard for religion- is very evidently written into the story. Instead of presenting the final chapter of Avalon, we instead get a story with a main character that seems to say, "Hey, this isn't about Avalon. This is about me, and I have something important to tell you that's more important than Avalon, so listen close." Helena, in my opinion, is the voice of Bradley, making her peace with the religions of the goddess and that of "the Christ," and telling us what she's learned through Helena's story. Whereas 'Mists of Avalon' was meant to weave history and myth together into an epic hybrid, the conception of 'Priestess' seems to have served a different purpose. From what I can see from reading this story, it wasn't out of a need to pen another 'Mists of Avalon' that drove this story, but rather a more philisophical need to get the message out that all religions ultimately lead to the same place.There is an underlying tone of urgency to convey this seemingly all-important message throughout the novel, and one can't help but wonder if that effect was placed there by Bradley. I loved the character of Helena. Hers was a rich, passionate, and human character. The story wonderfully portrays how as youths, we set out on life with a mission, only to realize looking back that the journey and the ultimate destination we've tread towards is nowhere near where we initially believed we were heading. So stubbornly (or desperately) Helena grasps onto her purpose as mother of Constantine, placing her son on a pedistal even before he's born, that he inevitably disappoints her and goes on to break her heart by becoming power hungry and manipulative- which is obviously not what she thought her son would become. I think we've all placed people on pedistals and depended on others too much.Here is a story of a woman, a priestess who is expelled from her order for the love of a man. This man

I am so sad to realise that this is the final Avalon book.It's also hard for me to guess whether or not a reader who isn't INTO the old Celtic religions would find this an interesting read, but for me, it was another wonderful, absorbing and magical read involving the occupants of the mystical island of Avalon and the gentle, loving form of their religion.A young priestess, Eilan, falls in love with a handsome Roman soldier named Constantius, and forsakes her home on Avalon for love of him and also because she believes that her future is inextricably bound with his.She bears a son who becomes the Emperor Constantine who eventuually caused the conversion of the Roman Empire to Christianity.Eilan,or the Empress Helena as she is known when she becomes the mother of the Emperor,somewhat reluctantly accepts Christianity as she realises that much of the new religion is based on the old and, because of pressure from her son, tours his Empire on his behalf. As a very old lady, she stages her own death in order to return to her true home, the Isle of Avalon.As always when I read books about Avalon, I feel a tremendous sense of deja vu....perhaps in a former life???

Of course, Priestess of Avalon isn't really part of the lot. For the most part, it's a story tangential to the Avalon epic. I also suspect Diana Paxson did a lot of the filling in of Marion Zimmer Bradley's dream of the tale. Take it in this context--as a book about Avalon but not really part of any series--and perhaps this novel will have a different meaning.The idea proposed to us the readers is that Eilan (Helena in the Roman world), a priestess of Avalon, falls in love and runs away with Constantius, a Roman. He existed, by the way. Somehow through her travels in the Empire (after all, her patroness is Elen of the Ways), Helena gains a wisdom and an understanding. She gives birth to Constantine, the Roman emperor who embraced Christianity. Eilan, through it all, begins to see where all religions and paths are reflections of a greater truth. Sometime after the book ends this Eilan/Helena is canonized as Saint Helena. In short, it's a detailed autobiography of a fascinating figure of a woman.I can see where Mists devotees would be disappointed by this book. After all, only a small part of it actually takes place in Avalon. But does Eilan need to have spent her entire life on the island to be a priestess of Avalon? It seemed to me that she spread and shared the wisdom she learned on Avalon with people all over the Empire. If that doesn't make her a worthy heir to the Avalon legacy, nothing does.

I was thrilled to see this book in the bookstore. Marion Zimmer Bradley passed away last year, and the world lost a fabulous writer. I've always been a bigger fan of her Darkover series than the Avalon books. All told, though I love Mists of Avalon, I found it dark and depressing. This story, though it is not as overtly pagan as Mists, attempts to connect the historical elements of paganism succumbing to Christianity. And, it asks an interesting question that spiritual folks have been asking themselves for years...how does one live a life of "spirit" in the real world? Bradley's Elian (or Hellene) recognizes, as we all should, that all gods are one, and all goddesses as well. She takes the spiritual lessons learned at an early age from paganism, and carries that sacredness throughout all the days of her life. The book ends on a high note as the lead character realizes that this is the case, that from a spiritual perspective, she has never left Avalon. And truly, Avalon exists for all of us who wish it so.Diana Paxson, an awesome writer in her own right, was thoughtful enough to complete Zimmer-Bradley's final work, a true friend's gift. And, of the Avalon novels, I believe this final one is the strongest. If you've loved the Avalon novels, definitely, this is a book you should get. And, if you've never read the Avalon novels, this book is a wonderful starting point.