This volume introduces a novel treatment of Polish cinema by discussing its international reception, performance, co-productions, and subversive ?migr? auteurs, such as Andrzej Zulawski and Walerian Borowczyk. The opening up of Poland economically and politically to global influences after the fall of the Berlin Wall in 1989, coupled with the rise of transnational approaches to the study of film, presents ideal conditions for examiningPolish...