Poets on Prozac: Mental Illness, Treatment, and the Creative Process

My Son Charles could write when he was in a certain mood of his Bipolar. He refused to go to a doctor as he said it made him feel funny. His self medication was Alochol (Jack Daniels which he carried in his hip pocket. I have published his book Called "Crystals." Whenhe got killed, Shot to death at a party March 13, 2001 I tried to close the book but it took me 3 years to do so . It seems my Depression and anxiety did not match his Bipolar. However the boox publishers Xlibris has it if anyone is interested. It is called Crystals by Margie and Charles Watkins, Book ID 38593. I still have major depression and have tried prozac and Xanax for my anxiety. However I have stopped my Prozac as I can't afford it. Stress over loosing the house and things that go with it does not help. Thank you Margie

I first heard about the book Poets on Prozac: Mental Illness, Treatment and the Creative Process, edited by Richard M. Berlin, M.D. from my mother, who had heard about it on a local radio program. Being someone who writes poetry and takes Prozac, the title intrigued me. I then read about it on a poet's blog, and decided to order it. It is a collection of sixteen essays by an array of published poets who have suffered from various mental disorders and have used some sort of biochemical therapy along with any psychotherapy they may have had. They each discuss their own process of trying medications, adjusting and/or changing medications, and sometimes quitting medication altogether, and include in their essays examples of their poetry, and how they believe the use of biochemical therapy has changed, helped or hindered their work. I was a little afraid that the book might be too dry or academic, but every essay is unique, with each poet having different ways that their depression or other mental illness manifests. What I like most about this collection is the variety found not only in the writing of each artist, but most particularly in their experiences with their dis-ease: Ren Powell suffers from bi-polar disorder; Denise Duhamel tackles bulimia; Vanessa Haley copes with obsessive compulsive disorder and post-traumatic stress disorder; Thomas Krampf suffers a complete psychotic break; Jesse Milner and Liza Porter both struggle with alcoholism. This has become my favorite book on the art of how to continue to write, while traversing the waters of mental anguish. I like to bring it with me to poetry readings and read selections entitled Bulimia, I Was Once a Drowned Boy, The Suicides, and Neurotransmission. This is a fascinating read for anyone who is artistic and suffering from mental illness. I personally love this book because it has shown me that dealing with clinical depression and other disorders is not a death knell for my writing, and that I have choices and options in therapy. It opens me up to the possibility that my best and most lucid writing may come in the future.

This review is written by Paul R. Fleischman, MD. Poets on Prozac compiled and edited by my friend and colleague, Dr. Richard Berlin, will be of great interest to psychotherapists interested in creativity, to poets and artists, and to anyone interested in the centuries long discussion of the relationship between madness and poetry. No one is more competent than Dr. Berlin to have compiled this book, as Dr. Berlin is a well published psychiatrist and poet. One of the strengths of this book is that it is a collection of first-person narratives written by professional writers. This not only gives it compelling force of confession, but it also helps the poets speak freely outside of the confines of scientific imposition, questionnaires or tests. The editor's excellence has been in creating a dialogical atmosphere in which his subjects and fellow investigators feel they can write with remarkable freedom. This is a book of science and courage. Dr. Berlin provides a thought-provoking Introduction in which he discusses the relationship between psychiatric disorders and poetic creativity. Avoiding any rigid conclusions, he nevertheless points to the recurrent theme that emerges in the rest of the book. Poets who have psychiatric disorders generally benefit from psychiatric treatment. Psychiatric treatments are generally effective. Most of the poets who write chapters for this book became more creative after successful treatment. Treatment does not reduce poetic creativity and may well augment it. All of this does not answer the question about whether this group of poets would have been equally creative if they had had not psychiatric disorders in the first place. Is it the absence of psychiatric disorder, or is it good treatment of preexisting psychiatric disorder, that is the most fertile ground for creativity? This book makes us all feel befriended and hopeful in our personal turmoil and suffering, and in our will to create. A full length review of Poets on Prozac has been posted by Cortney Davis online on The Literature, Arts, and Medicine database. Dr. Berlin has been interviewed about his book at the site called Treatment on Line.