Pierre Auguste Renoir

I bought all of the books in this series for our homeschool art curriculum. They are easy to read and a fun supplement that can lead to a nice trip to the Smithsonian Gallery of Art.

It was sort of a monograph about Renoir's life and was beneficial to my work

This is a great book for teachers introducing artists to their students and anyone trying to understand impressionism. The text (Renoir's life, his friends - like Monet and Sisley, & the Impressionist movement) is well done, and paired with pictures of Renoir's work. Cartoons and word bubbles are thrown in for good measure, and the whole piece works well together to educate art neophytes like myself and the elementary-aged students with whom I work. This is a well-done book for the sake of education and keeping art alive. Mike Venezia's work is thorough and well done.

Using simple language book covers Renoir's life & painting career with surprising alacrity & detail. Good prints. Shipped as promised & in excellent shape.

"Occasionally, Renoir would paint landscapes and still lifes, but his favorite subjects were always people.", p. 29The young reader will learn about Renoir's birth in Limoges, France; his family's move to Paris when he was young; his early drawings using his tailor father's chalk; his working years in a workshop painting decorations on china; his learning the formal method of painting in the studio of Charles Gleyre; and his participation in the creation of the "Impressionism".Renoir was a rarity in that he was successful at painting in many styles. He was very versatile. Most painters lock themselves into a painting method and stick with it for awhile. All their paintings during that period of time use the same method. Renoir locked into what he painting and let it determine the method. If he were painting outdoors, he would choose impressionism with an emphasis on people having a good time more so than the outdoor setting. If he were doing a portrait, he would typically choose the older style but with less formality. His chose of method would be similar to a photographer choosing to use black and white film for certain shots and color film for others. Children are very sensitive to their surroundings. Their response can at time be instantaneous. They go with the moment and therefore will appreciate Renoir's similar approach. My favorite painting in the book is Renoir's "Umbrellas". He let the figures chose the method. He chose impressionism for the more formally attired, and he utilized a more formal method for the less formally dressed woman on errands with her basket. Venezia's illustrations are humorous. His narrative is delightfully entertaining. His approach brings the artist within reach of the young. His embellishment of the variety of surfaces on which the young Renoir chose to draw with chalk is creatively done. The size of the book is perfect for smaller hands. It enables the young to have art within their grasp. Venezia gives the locations of the paintings and as result if the child lives near one of the museums or will be near one on vacation, she/he would be able to see the original. This is the 20th in Venezia's "Getting to know the World's Greatest Artist" series. His series is a wonderful way for the young to be first introduced to the brilliance of artists. He also has a similar series on composers. Venezia's back cover illustration ties back to the subject. "While studying Renoir and the Impressionist movement of the 19th century, Mike was inspired to ...". The price of the book is well worth paying. Venezia includes pieces by the artist, pieces by the artist's colleagues and art styles referenced. The book contains the following: Renoir's paintings (16); Venezia's illustrations (6); Others' paintings (8) and paintings on a vase (1).