People Like Us

Mr. Dunne has done it again. He has given us a look into the type of life extreme wealth can buy. It is fun to try to identify the fictional characters with real life people.

I loved this book- there are many, many characters and yet the book flows smoothly and is entertaining and satisfying from beginning to end. I've read this book three times in the last ten years and each time, I feel like I'm revisiting old friends.

Dominick Dunne's many books are consistently excellent, and PEOPLE LIKE US is no exception to this rule.Like virtually all of his novels, PEOPLE LIKE US was inspired by real people and real events. As always, Dunne provides an insider's view of the life of the rich and famous. Here, Dunne details the conflict between the old society money and the newly minted billionaires who arrived in Manhattan at the end of the financially over-heated 1980's. It's fun, in hindsight, to figure out on whom he based some of his characters. Any reader who remembers those days will say, "Oh, that's Mr. T...and that's Mrs. G. And that restaurant is M, and the handsome newscaster, the interior designer, etc., must be...."As ever, Dunne's writing is so facile that the pages just fly. Quite a story he weaves, too, with lots of memories of a fascinating period of modern history.

"People Like Us" is a very 80's novel about the rich who are supposed to be different from you and me. It is a story about the hautest of the haute New York society in the latter half of the 1980's, a time when the rich rushed off in limousines to the most exclusive parties every night, oblivious to and unconcerned about the homeless who camped out in cardboard boxes on the sidewalks outside their luxury condos. It brings us the creme de la creme of the old line WASPs in the Social Register who take themselves terribly seriously, much more so than anyone else does. They are a dying breed and it's probably just as well. At the very top of the pile, breathing the rarified air of the upper strata of New York society, sits the Altemus/VanDegan family, led by Lil Altemus and her brother Laurance VanDegan, quintessential snobs, sure of their self-worth, loathing the "new money" that is invading their sacrosanct circle of friends and acquaintances. Lil's son, Hubie, is a disappointment to his family; he's gay, kicked out of Harvard for cheating on a Spanish exam ("the language of maids" huffs his uncle Laurance), and hopelessly in love with his Puerto Rican hustler boyfriend Juanito; and her daughter Justine marries a TV anchorman, Bernard Slatkin, whose name will most definitely not be found in the Social Register. Charging headlong into this formerly impenetrable social ring is Elias Renthal, who has made billions of dollars on Wall Street through hostile takeovers and financial wizardry, and his beautiful, ambitious wife Ruby. Observing from the sidelines and taking notes is Gus Bailey, the ever-present "spare man", available to squire single ladies to dinners, balls, etc. Gus had his own agenda, however, and when he finally swings from observation into action, he makes some very large waves. His mission accomplished, Gus looks around him at the shallowness and narrow-mindedness of the society he moved so effortlessly into, and comes to the conclusion that the reader probably arrived at before the end of the second chapter; namely, that "this ain't it". Dominic Dunne knows the kind of people he writes about and he is an acute and astute observer. We see Lil Altemus in all her vanity, her shallowness, her conceit and we realize, finally, how pathetic she is; Justine wins our respect by her determination not to be a "lady who lunches" like her mother and her mother's friends; and poor Hubie is a genuinely tragic figure, fitting neither into the world he was born into or his lover's world he tries to fit into. The most interesting figure in this book, however, is Ruby Renthal; pushy to an extreme but extremely likeable nonetheless, and possessing an integrity which places her far above the socialites who look down on her as a new-money, no-class upstart. "People Like Us" by no means falls into the category of serious literature and it doesn't try to; but it's an enjoyable read and shines a harsh light into a closed society which doe

This was my third Dominick Dunne, having already read A Season in Purgatory and An Inconvenient Woman. In those, heh-hmm, novels, Dunne delved well inside what appears to be his favorite topic: the wealthy and powerful who get away with (or try to get away with) crime. Here, Dunne chronicles the life of the New York upperclass from the perspective of a man haunted by his own demons, placing crime in the past and delaing with its after-effects head-on.This novel basically reveals how thoroughly morally bankrupt (parts of) the upperclass can be, with a devilish leading lady, plenty of dynamic newcomers, enough tragedy to make the work compelling, and titillating sexual subplots. I only wish I could figure out which real-life people Dunne's actually writing about.Technically: the literature is fresh and revealing, as Dunne finds yet another way to work his masterful craft; compare his seemless persona-jumping in A Season in Purgatory. Although I wouldn't recommend s! tarting to read Dunne's "novels" with People Like Us, it is worth the experience.