Named one of the "Ten Best Plays of 2008" by The New Yorker "Sarah Ruhl's bold, inventive, and ironic triptych is] a meditation on devotion and its appropriation by the state. . . . Ruhl is an original; a storyteller with a fine mind evolving her own theatrical idiom."--John Lahr, The New Yorker "It's a different kind of morality play . . . an often wondrous work . . . with Ruhl's] own special lyrical blend of...