Passion. Reason. Opposites attract. It is no secret that Tom Thomson (1877-1917) and Joyce Wieland (1930-1998) never met. Their art could not be further apart stylistically or methodologically. Thomson was a colourist, armed with brushes and oil paints. Wieland was an activist who drew upon an arsenal of wide-ranging contemporary media and whose work is ground-breaking in the annals of feminist art. Yet, Wieland also "burrowed into...