Oracle Bones: A Journey Through Time in China

Book arrived in good condition as described. Content wise, this is the best travel writing on Mainland China, sensitive prose and honest insight. Highly recommended.

It's refreshing to find a book on China by a journalist with some knowledge of and, even better, an interest in really learning about sinological matters. Since the end of the Cultural Revolution, Western journalists have written their books on China: at first largely from the perspective of being the rare Westerner in a newly opened up China, and then over time with increasing emphasis on his or her observations of China's political and economic situation--invariably in the context of the reporter's personal experiences in China. ORACLE BONES, too, is personal, not that we get to know Peter Hessler very well (though a "Postscript" titled "Meet Peter Hessler" presents a short autobiographical sketch), but in the sense that we experience China through his "I"s. Unlike many earlier books by journalists, though, there isn't much focus on leadership politics here; instead the warp of the fabric of this book is perspectives on Chinese (and Uighur) culture and history. If that is the warp, the weft principally follows the story of Chen Mengjia, a renowned scholar of "oracle bones" (scapulae and tortoise shells inscribed with writing and used in divination practices a few thousand years ago). Chen Mengjia was branded a rightist in the late 1950s, and he subsequently committed suicide at the onset of the Cultural Revolution. In the course of Hessler's journeys--not all related to Chen--the writer learns pieces of Chen's story (only a little of which is consistent) and a whole lot more about 20th century Chinese and Western sinological history. It's refreshing to find Hessler's views so well informed; you'll find nothing here, for instance, about the so-called Chinese "ideograph" that sullies so many books that refer to the Chinese writing system. Hessler, now a Beijing correspondent for The New Yorker magazine, was once a Peace Corps volunteer English teacher in China, an experience that he describes in his earlier book, RIVER TOWN. He devotes a good part of this book weaving in descriptions of his encounters with his former students and of their post-education lives. Hessler also discusses the life of a Uighur that he befriends in China, and who subsequently travels to the U.S. and successfully seeks asylum. In these stories, Hessler doesn't flinch from the terrible realities of Communist China, and they are often brutal; at the same time, though, the U.S. (specifically, Washington, D.C.) doesn't get off easily in the depiction of the everyday difficulties that confront Hessler's Uighur friend, including racism and robbery. Hessler's style gives the appearance of effortlessness when you just know how much work must have gone into the book. His keen observations often express subtle truths, such as when he comments, "There is always something sad about furniture in a museum" (p. 384) and his empathy conveys genuineness, e.g., when he confronts a scholar with a personal criticism of Chen Mengjia that the now old man felt forced to write when

You've read my review of his first book. (Or not...) Six years later, here's another, and he remains one of my role models as an author and as a person. He's back in China, as a freelance journalist rather than a teacher this time, and that's every bit as illegal as it sounds. The man was born to write, and would be doing so no matter where he lived or what he did there. Yet again, he's met some extremely interesting people and told their stories well. He was able to travel among cities and villages, rich and poor, Han and minority. The book spans three years, plus two additional years of research, and you'll see just as much technological and infrastructure progress in the book as I did in my time in China. Two more years for publication, and that's just fine. I'm a recent NaNoWriMo winner -- my first time trying -- but I know that truly great literature takes a bit longer. Like me, Hessler is drawn to Uyghurs, outsiders, small towns, and Muslim food in China. But again, that doesn't matter. You'll care about anything he writes, because that's part of his gift. Humor, insight, intelligence, honesty, and that rare ability to touch both your heart and your mind. Some fascinating tales from China's past, many of which were new to me, give it a timeless quality as well. I don't want him to write faster, because that can't be done. I want more authors to aspire to this level of quality, because I read them much faster than Hessler writes them. Five stars out of five, another keeper, and all the other superlatives I roll out on rare and special occasions. I'm glad I didn't wait for the paperback. I'm not so glad it sat on my bookshelf unread for so long, because this could've been my second or third reading instead of my first.

Having read and enjoyed Hessler's first book, and because I am an ESOL teacher, I looked forward to receiving this one. Since I am not a history buff, the book provided me a good overview of the past of an emerging world power without ever becoming tedious with names and dates. The ancient past is covered, and the major eras of the twentieth century are presented from different points of view, so that a feel for the lives of modern Chinese people emerges without "studying" the main events which shaped their lives. The description (above, by the publisher) of the book is totally apt; it weaves past and present with stories of interesting, ordinary people, including one who emigrates to the U.S. I read many books and have a high literary standard. Hessler meets it. He is an informed, well-researched story-teller with a true artist's eye and ear. His attention to detail delights. While he does not aim for poetry, he writes with a graceful precision that is almost poetic. I found every part of this book fascinating. One caveat: nothing here is wasted, so pay attention to each character; the reappearances of many characters give the book rare depth and fullness. You may be disappointed only if you have already studied China extensively; I am fairly well-informed in general but wanted to learn more about this country. Oracle Bones provided both information and insight. I found it to be one of the most satisfying books I have ever read in any category.

Oracle Bones is a compelling novel with two major threads; the current exodus of young Chinese from the country into industrial/population centers and much of the history responsible for shaping current conditions and culture. Peter Hessler's writing style draws you into China and challenges you to learn more. He writes from the gut and bars no holds. The characters he weaves into both the modern and historical threads are genuine and intriquing. Hessler incorporates very recent American Government contact and influence into the story which explains much of the views held by Chinese citizens. Being that we are still under the same administration described toward the end of the book, it is all the more interesting and somewhat frightening. China will be A, if not THE major player in the world ecomomy and this book should be required reading for anyone who wants to keep up.

It is a bit disconcerting for a person of Chinese descent to learn about himself and his culture from a yanguezhi (foreign devil). Yet this is exactly what happened when I read Oracle Bones. This is an extremely fine book, full of subtle observations and exquisite narratives of matters great and small. Like Pankaj Mishra's An End to Suffering, Peter Hessler attempts many things in this moveable feast. This is a travel journal, a small peek at how Hessler was able to parlay a stint in the Peace Corp teaching English in China to a freelance gig writing for the Wall Street Journal, New York Times, and The New Yorker. Mostly this is a expansive look and humanistic rumination on how the globalization of the free market has touched the lives of common people of China, as exemplified by a number of Hessler's English students. Hessler used the story of his Uighur friend Polat to give us a view of every day street life in Beijing as well as the life of an oppressed asylum seeker in the US. This style can easily become clumsy and ponderous, but Hessler does a masterful job of keeping the narrative interesting and colorful enough to lead the reader along through the turbulence of the serial form without losing each of the intricate interweaving threads. The key to Hessler's success with this form is his usage of the archeological history of the Oracle Bones in China as the rhythm section to his narrative. Much like a steady drum beat in a good song, the rhythm soon overtakes much of the decorative accompaniment and dominates the song. The story of the archeology serves as a solid counterpoint for Hessler's riffing on globalization, on the ever-changing business environment in China, and on the peculiar yet inscrutable reactions of the Chinese government to all these changes. As the story evolves, the story of the Oracle Bones and the scholar who deciphered them comes around to dominate the narrative. The story wends itself around all the previous threads and makes the juxtaposing lines of inquiry reasonable. The story of the scholar, his wife, his family, and his wife's family, and his various colleagues - friends or foe- is transcendental in its universality. The latter part of the book, majority of which is devoted to the story of the Oracle Bone scholar has the impact of a fine mystery novel and it gives the reader the punch in the gut that one rarely gets when reading a travelogue or a book of history, or an autobiographical portrait. This book was thoroughly enjoyable; it was concomitantly informative and soothing to the soul. The writing was superb, rhythmic, and transformational in its structure and meaning.