One Vacant Chair

"We were two fat women, eighteen years apart, a chair artist and a designer of Christmas ornaments, who only knew we had troubles and a hot summer to get through," says Sarah. But as it turns out, there is a great deal more to quirky Aunt Edna's troubles than Sarah could possibly imagine. As the novel turns from the hot, oppressive heat of Texas to the misty beauty of Scotland, she learns of her aunt's remarkable secret life and comes to fully understand the fragile business of living, and even of dying. My reviewing experience is minimal, but it would be remiss of me to not let you know how much I enjoyed this book. Joe Coomer's book "One Vacant Chair" is one of the most well-written stories that I have ever read. If you have the time this summer and you're looking for a great read, try this book. You won't be disappointed. "It's where you sit down that determines everything in life."

Friends and family have been phoned and emailed with the rave review I've given this book. Funny, touching, sweet, and spicy---it has everything you hope a book will have, and then some. Realistic characters, great dialog and a realistic plot kept me reading well into the night. Tell your friends...they'll thank you.

This book works on so many different levels. It's a great read that's hard to put down once you start. It has wonderfully fleshed out characters who come to life on the page. The themes are compelling, and Coomer handles them with a strong sense of humor and sensitivity. The discussion of art technique adds another interesting dimension. All in all, I loved this book!

From The Loop, to Apologizing To Dogs, to Beachcombing For A Shipwrecked God, and now One Vacant Chair, I always finde Joe Coomer's books engaging, witty, moving and lyrical. It's the writing that makes them so, a voice at once sophisticated and personal. His latest effort concerns a woman, Aunt Edna, who, beyond a career as an elementary school cafeteria worker, paints portraits of chairs. The story is narrated by her niece, who accompanies her on a trip from Fort Worth, Texas to Scotland, where they spread Aunt Edna's mother's ashes. This is a story of two women which takes on the classic storyline of mentor and student, but by the time the novel is finished these roles fall apart, become anything but typical. Any author who can make me laugh and cry within the space of one page makes me want to pass on the good word.

An insightful writer with a dry, humorous edge, Coomer divides his time and his book settings between Texas and Maine. His latest novel is firmly rooted in his Texas homeland, with a brief, powerful excursion to Scotland.The book opens with an antic, visual scene, which introduces all of the characters, quickly drawn in bold, precise strokes. The Huttons have gathered for a memorial service for the family's crotchety matriarch. The setting is a sun-blasted field, filled with chairs all carried from a house filled with little else in the way of furniture. And when all the chairs are brought to the field, "the house was empty of chairs, and yet still full of them." Aunt Edna, an unmarried school-cafeteria worker who cared for her dying mother for 20 years in that house, is an artist who paints only chairs, an eccentricity no one questions. "Aunt Edna liked to draw and paint chairs in the same way that my father liked to read books about the Civil War, or Aunt Margaret liked to play charades."The narrator, looking back on that summer, is her niece, Sarah, whose marriage is reeling from the blow of her husband's infidelity. "We were two fat women, eighteen years apart, a chair artist and a designer of Christmas ornaments, who only knew we had troubles and a hot summer to get through." Sarah writes her story with the benefit of hindsight, so we know from the first that Aunt Edna has died and her paintings now hang in museums. How these events come about are two mysteries in a story full of revelations, small and large, about life, love and hard choices.Gathering for the reading of the matriarch's will, the Hutton family is shocked to hear that the old lady wanted her ashes scattered in Scotland, a place she had no ties to and had only seen in a large picture book. Texans, if the Huttons are any example, can't see why anyone would want to travel more than a state or two away anyhow. But Aunt Edna is adamant and Sarah, her life in limbo, decides to stay with her aunt and accompany her to Scotland.Their sojourn together, in the house and on the trip, is one of new beginnings - Sarah revives her art career from the doldrums of successful ornament design, and Aunt Edna accepts a marriage proposal from an old friend, a blind, black, chair repairer. Scotland gives both women a jolt. Its gray stone, heavy sky, and magnificent age are the antithesis of Texas. It seems a place at once alien and enfolding and apart from ordinary life. As they travel, doling out spoonfuls of Grandma and Grandpa's ashes in castle gardens, Aunt Edna's physical decline becomes obvious. Her pithy, impatient advice to her niece - mostly in the form of admonishment - takes on new urgency and a greater aura of wisdom.Coomer's exploration of the mistakes and lessons of life, the crisp, often humorous debates on love, forgiveness and family, are saved from the dangers of preachiness or cliché by the quality of his writing and by the hindsight structure of the narrative. It's natural that