One Day on Beetle Rock

I loved this book! It completely takes you away into an animals' world. You are one with an animal during a complete day. You see how it lives, what it fears, what it eats, where it lives, how it deals with its enimies, etc. Each aninal has quite an exciting adventure. I did not want this book to end. I also loved "One Day At Teton Marsh" by the same author, Sally Carrighar Nancy Haydock

This is nature writing which deviates quietly and profoundly from the main American currents. In the 1940s, Sally Carrighar spent her summers in a cabin in Sequoia National Park. She distilled her observations into this exploration of the experiences of nine creature during a single day near the same granite cliff. The interlocking portraits are engaging and convincing. Carrighar keeps the inevitable anthropomorphization to a minimum. Her descriptions allow us to enter into the animals' sensations and impulses. A deer mouse "wanted the walls of the nook to press her all over, but however she crouched, one of her sides had no touch of shelter on it." A lizard is tempted by "a gamey, delicately tart green leafhopper." A chickaree giving an alarm call "jerked, as if he were a little bag filled to bursting with bright sound that piped out whenever the bag was jostled." Unlike Thoreau and all his literary descendants, Carrighar does not focus on the spiritual reverberations of nature in the human soul, and she does not speak of herself. In his introduction to the California Legacy Book edition, David Rains Wallace highlights her "down-to-earth, impersonal" approach. Today's nature writers, perhaps influenced by postmodernism and multiculturalism's emphases on individual perspective, rarely attempt to enter the consciousness of other beings. Perhaps they avoid cuteness, projection, and presumption that way. They also miss a chance to help us realize that other creatures exist as hungrily as we do. As a veteran reader of nature writing, I am embarrassed to say that I felt surprised when this book made me remember that the animals I glimpse and don't glimpse on the trail must have continuous, emotional and sensory lives. I felt like going outside to watch a bluejay for an hour. I felt that the jay wouldn't bore me and I might be able to figure out what the he was up to. Carrighar didn't entice me with the promise of objective knowledge of a secret kingdom. Rather, she made me wonder if I could achieve a sense of home in that kingdom through intimate knowledge. Though she never describes her own process of observation, Carrighar offers herself as a teacher. With her clear, faithful gaze, she comes as close to joining the community of Beetle Rock as a human can.

I haven't finished reading this book because I don't want it to end. Each chapter takes you through the same day as the other chapters, only from the vantage point of a different animal. Most humans don't have a clue as to the life of any other species 24/7. The detail, the nuance, the empathy that Carrigher brings is stunning, without being anthropomorphic. I'm starting a book club based on this book.

This is one of my favorite books. Carrighar writes about the lives of nine animals during one day in Sequoia National Park, one chapter per animal. Each animal interacts with the world and fellow creatures in its own way, and each has its own problems and anxieties -- which creates dramatic interest. Carrighar anthropomorphizes her characters, but convincingly and unobtrusively -- how could you avoid it in a book of this type? The writing beautifully describes sounds, scents, the play of light on leaves, etc.

This book, written from the point of view of each of a series of animals living around Beetle Rock, follows the web of life and illustrates the beauty of the natural world. This is a book for anyone seeking to understand the natural world, and anyone who truly loves animals.