Nowhere to Run

It was wonderful to to get such an up close view into the lives of the artists and writers behind the great sound of the early soul classics.

Excellent read, very informative and well written. If you want to have a concise, clearly stated history of soul music, this is the book for you. Only wish it had some photos of the artists covered, but otherwise it's great.

This is a great book about soul, I read many things about artists that I had not found in the normal biographies. It covers a lot: chicago, stax, detroit. Only Muscle Shoals is sadly forgotten. In that case Peter Guralnicks 'Sweet Soul Music' is a better buy

This monumental work consists of three parts. Part One: Singing Both Sides, looks at the Gospel and Blues roots of Soul Music, the record companies that first recorded this style, the DJs and the radio stations that played it, and includes interviews with Screamin' Jay Hawkins, Cissy Houston, Ben E. King, Ahmet Ertegun, James Bown and Wilson Pickett. The pioneering work of Ray Charles features heavily here. Part Two: City Soul, starts with a look at the early Soul artists on Atlantic and other labels and includes the reminiscences of Jerry Wexler, includes information on Solomon Burke, Sam Cooke, Motown Records, plus interviews with Smokey Robinson, Mary Wells, Martha Reeves, Diana Ross, The Temptations, The Four Tops, Marvin Gaye, Michael Jackson and Aretha Franklin. It also includes information on Curtis Mayfield and the Chicago-based record companies. Part Three: Southern Soul, deals with James Brown again, the Memphis scene, Stax Records and its legendary artists, Sam & Dave, Otis Redding, Muscle Shoals, Joe Tex, Isaac Hayes, the New Orleans scene, and concludes with a poignant interview with Irma Thomas. As a young teen I was enthralled by the voices of Aretha Franklin, The Supremes, Gladys Knight, Percy Sledge and others, so this book finally made the people behind the music come alive for me. It is easy to get lost in its labyrinthine pleasures, to discover how, when and where favourite songs were written, to learn about the backgrounds of the musicians, the record companies and the business people like Ertegun and Berry Gordy. There's a lot of human interest in the text, a lot of triumph and tragedy - Hirshey is a masterful writer who really gets into the music and compels one to reach for your CD and vinyl collections to hear these great voices again. She mostly allows the voices to speak for themselves, but in a brilliantly interwoven text where the songs, the charts, the gigs and the tours form the historical frame in which the voices reveal the human element. There are sixteen black and white plates with photographs of artists like Cooke, Wells, Ross, Gaye, Wonder, Lamont Dozier and the Holland Brothers, Franklin, Reeves, Junior Walker, James Brown, Don Covay and others. The thorough index to artists, personalities, songs, record companies and TV shows make referencing easy. As music writing this book is indispensable, as human interest, it is engaging and addictive. Hirshey succeeds in capturing the mood of the times and the flavours and history of a great American musical style by letting these timeless voices speak for themselves so eloquently.

This monumental work consists of three parts. Part One: Singing Both Sides, looks at the Gospel and Blues roots of Soul Music, the record companies that first recorded this style, the DJs and the radio stations that played it, and includes interviews with Screamin' Jay Hawkins, Cissy Houston, Ben E. King, Ahmet Ertegun, James Bown and Wilson Pickett. The pioneering work of Ray Charles features heavily here.Part Two: City Soul, starts with a look at the early Soul artists on Atlantic and other labels and includes the reminiscences of Jerry Wexler, includes information on Solomon Burke, Sam Cooke, Motown Records, plus interviews with Smokey Robinson, Mary Wells, Martha Reeves, Diana Ross, The Temptations, The Four Tops, Marvin Gaye, Michael Jackson and Aretha Franklin. It also includes information on Curtis Mayfield and the Chicago-based record companies.Part Three: Southern Soul, deals with James Brown again, the Memphis scene, Stax Records and its legendary artists, Sam & Dave, Otis Redding, Muscle Shoals, Joe Tex, Isaac Hayes, the New Orleans scene, and concludes with a poignant interview with Irma Thomas.As a young teen I was enthralled by the voices of Aretha Franklin, The Supremes, Gladys Knight, Percy Sledge and others, so this book finally made the people behind the music come alive for me. It is easy to get lost in its labyrinthine pleasures, to discover how, when and where favourite songs were written, to learn about the backgrounds of the musicians, the record companies and the business people like Ertegun and Berry Gordy.There's a lot of human interest in the text, a lot of triumph and tragedy - Hirshey is a masterful writer who really gets into the music and compels one to reach for your CD and vinyl collections to hear these great voices again. She mostly allows the voices to speak for themselves, but in a brilliantly interwoven text where the songs, the charts, the gigs and the tours form the historical frame in which the voices reveal the human element.There are sixteen black and white plates with photographs of artists like Cooke, Wells, Ross, Gaye, Wonder, Lamont Dozier and the Holland Brothers, Franklin, Reeves, Junior Walker, James Brown, Don Covay and others. The thorough index to artists, personalities, songs, record companies and TV shows make referencing easy.As music writing this book is indispensable, as human interest, it is engaging and addictive. Hirshey succeeds in capturing the mood of the times and the flavours and history of a great American musical style by letting these timeless voices speak for themselves so eloquently.