Abrāo's work has been described by The Outline as "an existential funhouse of familiar thoughts" that "publicly grapples with pillars of its own existence within the influencer economy." Alongside The Outline, her work has been featured in publications such as The Atlantic, Dazed, The Harvard Crimson, and The Face, among others. In response to Abrāo's work, Dazed Magazine wrote, "Gabi debunks...
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Poetry