Nights of Sin

First, a confession: I haven't actually read _Blood Magic_, the novel that precedes _Nights of Sin_. However, kudos to Matthew Cook for never letting me get lost. Everything I needed to know was provided to me, and in a way that flowed naturally with the story rather than feeling infodumpy. _Nights of Sin_ begins with a harrowing description of Kirin, the heroine, attempting to shepherd her lover, Lia, safely through a dangerous blizzard. Kirin is a necromancer who has vowed to renounce her powers, and this is the first of many crises that will test her resolve. Upon reaching the Imperial City, Kirin and Lia face new problems. The city is under siege by the terrifying Mor, a race of six-limbed, telepathic creatures of superhuman size and strength. Kirin joins the troops charged with defending the city walls, and must struggle to find a place for herself among the men, while at the same time dealing with issues in the relationship with Lia and with the constant temptation to call upon her terrible magic under duress. Lia has her own struggle, though it's a subtler one. Now that she has returned to the City, her family and her courtly life threaten to engulf her again and keep her from becoming an independent woman. I found the middle of the book a little slow going, though this wasn't actually because of Cook's writing, but more a Not-My-Subgenre issue. There's a great deal of detail in this section about archery and sieges, and military fantasy is just not quite my cup of tea. (This is a blind spot of mine. I often have trouble visualizing the way various military maneuvers are supposed to work. Very few authors can get around this mental block for me. A map might have helped.) I'd have liked to spend a little more time in the realm of courtly backstabbing, but that's just me! As the Mor threat grows, Kirin finds herself drawn into the orbit of a dangerous mage with a ghastly scheme. There was a horror element to Nights of Sin all along, but at this point it truly becomes a horror novel, with a chilling twist that brought to mind Anne Rice's _The Witching Hour_. This is also when I became completely engrossed in the book and couldn't put it down. These scenes truly got under my skin and scared me out of my wits, and then the bittersweet climax brought tears to my eyes. I loved pretty much everything about the Napaula plotline, though there's not much I can say without spoiling it. I recommend this book to you if you want to take a trip through the darker avenues of magic, and if you don't mind an extremely high level of gore. (Think zombie armies.) I do have to quibble a bit about the cover--I think it makes the book seem more erotic than it is. I was expecting something more in the vein of _Kushiel's Dart_ based on the cover and title. There are a few sex scenes and some sexual tinges to the magic, but sexuality is not as central to the story as one might guess based on appearances.

Kirin and Lia are traveling to the Imperial City, which is protected by the thick wall known as the Armitage. They risk their lives to get there because they are needed to fight the Mor, who have the city under siege. The Mor are monsters who live underground; they loathe the people who crossed the sea to settle in this pleasant land. Lia is an aeromancer who can summons lightning; Kirin is a necromancer who can "create" something from the bodies of the dead. However Kirin vows to never use her blood magic again as it cost the life of her unborn son while her creations are mindless atrocities that obey only her will. Everyone fears necromancers; even her captain whose life she saves shows no gratitude towards Kirin. Instead he expels her from the Imperial Army. Although Kirin refuses to use her talent, someone is applying necromancy to eradicate the Mor. The problem with that approach is that a person would have to die to make an undead army and this necromancer has no restraints unlike Kirin. NIGHTS OF SIN, the sequel to THE BLOOD MAGIC, is a fantastic fantasy that will appeal to sword and sorcery lovers. Matthew Cook is a talented author who creates complex flawed characters like Kirin, who struggle with doing the right thing which is not always obvious. She is especially tormented over using her blood magic that could provide the greater good but at what cost to whom; as someone pays the piper; Kirin no longer wants to decide who. Besides the syllable connection, the Mor will remind readers of the Morlock as they dwell underground and communicate in a weird way; their goal is to eradicate the humans. There are great characterizations and a strong sense of "realism" which makes for a fascinating tale as Lia fears Kirin is turning to the dark side of the magical force. Harriet Klausner