Music, Physics and Engineering

The author is a relatively unknown giant in the world of electronic music - though he was not a musician. For many years, Dr. Olson was the head of research at RCA Laboratories where he made significant contributions to the development of the field of Acoustic Research. While Olson also made significant contributions to the development of the modern microphone and magnetic tape recording (among other things), he is best known, perhaps, as being a key member of the team that researched and developed the RCA Mark II Sound Synthesizer - the first synthesizer used to create and market music for mass consumption. The book, originally published in 1952, hearkens back to the days when sound studio engineers wore white lab coats and carried clipboards. It takes the reader, chapter by chapter, from the basic physical nature of sound waves up to the production of electronic music. Most of the important topics are treated, like how different musical instruments produce and manipulate sound (the section on trumpets is very cool), how sound waves behave in the physical world, the physical and psychological aspects of sound and music perception (how your ears and brain work), the design of sound stages, studios, etc, and ends with an introduction to the basics of recording technology and electronic instruments (electric guitar, synthesizers, etc.), such as they were in the 1950s. The book is aimed at the non-specialist, but has enough information to give a solid foundation in the basic physics of sound and how it applies to the production of music. While it is true that much of the technology discussed in the book is no longer in common use (i.e. magnetic tape, massive synths, etc.), the basic concepts of sound still hold true and thus make this book a still-useful reference. It should also be noted that this book is very often cited in musical texts of many types.

Sure, electronic music technology has advanced a fair bit since this book was written. BUT, the laws of physics have not changed. Olson's book does a fantastic job of explaining the inner workings of timbre, acoustics, recording, sound reproduction, music synthesis, and various other scientific rigor concerning all things sound. This book should be required reading for anyone who does anything in the fields of sound design, recording, production, and even composition and performance of music. In addition to containing a great explanation of the theory behind musical acoustics, the book is also loaded with lots of empirical measurements of the acoustic characteristics of real-world instruments; it's an invaluable reference for anyone working with live music.

The science of musical sound has evolved a great deal since 1966 when the second edition of 'Music, Physics and Engineering' was first published. However, this historical work can be of value to musical engineers even in today's fast changing technological world.The author, Harry F. Olson was staff vice president of the acoustical and electromechanical research department of RCA laboratories. The thorough science reported in this book was perhaps instrumental in the development of the RCA Mark II Electronic Music Synthesizer of the Columbia-Princeton Electronic Music Center.Chapters such as: Sound Waves, Musical Terminology, Musical Scales, Resonators and Radiators, Musical Instruments, Characteristics of Musical Instruments and Properties of Music have much to teach those with an engineering background about the science of music.This book has been extraordinarily useful to me in seeking to design sound events in software with nothing other than a 'C' compiler and some audio file format spec sheets to work with. It is a great read for the aspiring musical engineer.