Murder in Montmartre

This is the third book of the series that I have read. Being a Francophile, I enjoyed the setting and the cultural aspects. These books would also be good airplane books and then as one is winging ones way to Paris, upon arrival, you could tour Paris via the story locations. On the other hand, they provide a mini vacation from home.

It's January 1995, and Aimee is once again involved in a murder mystery that leads her again to secrets concerning her father's death. With the Church of the Sacred Heart (Sacre-Coeur), the neighborhood of the Mound of Martyrs (Montmartre), and the stone quarry caverns below as background, Aimee tries to prove that her childhood friend (Laure) did not kill her policemen partner (yes, her friend is a flic). Laure's father was Aimee's father's partner before he left the force. Her new friend, Guy the Doctor, has split and gone to the Sudan with Doctors Sans Frontiers (Doctors without Borders). An old friend, who Aimee has been looking for for years (Jaubert), and was part of her father's police academy group along with Morbier, turns up in a spot she least expects. As always, our heroine, Aimee, is not only resourceful but always stylish (a true fashionista) as she snoops out the bad guys. Somehow, this time she manages to stay off her scooter and therefore is kept from running into anything or anyone. The plotline involving some fake Corsican Separatists, who are busy selling the guns (of eastern european make) that were the basis for the case her father had been working on at the time of his death, help Aimee to bring some nagging problems from that time to closure. The rest of the plot is there for Aimee to have something to do until the more important personal issues are resolved.

Private Investigator Aimee Leduc is at her most sensitive right after she's dumped by her boyfriend, so she takes it hard when a childhood friend, cop Laure, is accused of murdering her partner. Aimee knows Laure would never have killed the man she viewed as her mentor, but the police have their suspect and Laure is comotose and unable to defend herself. It's up to Aimee to do the job. Aimee's investigation quickly takes her out of the everyday world of Paris into a seamy underworld of prostitutes, underemployed musicians living rough, and Corsican terrorists. It is clear to Aimee that the murder being pinned on Laure is somehow connected to the Corsicans, but the most likely suspect turns out to be the musician who restarts Aimee's bruised libido. Always in the background is the fear of police corruption--a corruption that destroyed Aimee's father and that continues to haunt much of the Paris police department. What secrets did Laure hide? Could Aimee's father have been, after all, involved with some underhanded scheme? Author Cara Black continues her Aimee Leduc series with an intriguing tale set in a world where ancient vendetta coexists with modern terrorism, and where the spirit of Tolouse Lautrec haunts the streets of Montmartre, the section of Paris he profiled--and a section of Paris that remains distinct from the rest of the city. There were times when Aimee's investigation seemed a bit improbable (her invasion of the police computer system seemed particularly far-fetched), but Black's mystery is more of an impressionistic painting than a hard-edged photograph. If you're interested in Paris and in reading an author who treats that city as a dominant character, you won't want to miss MURDER IN MONTMARTRE

The people who have said they don't like this series, well, that's OK. We all like different things. Now, as for myself, I can't stand a single book which has won the Booker Prize, except for The English Patient. I like this series of mysteries. I feel like I have gone on a vacation to Paris which may be the only way I get there. I notice that every time I read one of these, I have to go to my neighborhood cafe and read it under awnings!! This may prove hard in the winter, when it is raining or snowing!! Bravo, Cara Black!!

In January 1995 in the working class neighborhood of Montmartre in Paris, the police arrest fellow officer Laure Rousseau for killing her partner, Jacques. She swears she is innocent as she explains to her childhood friend private investigator Aimee Leduc that Jacques was meeting an informer with her as his backup when he was killed; she was arrested because her gun was fired and residue was on her hands. She persuades Aimee of her innocence and to take on her case. Aimee knows she will find the truth somewhere in the dingiest sections of Montmartre. There she immediately meets a boy who swears he witnessed the killing; she believes him, but also knows he will not be credible with the police or the courts. Other clues lead to danger from street hooligans and a Corsican separatist group that wants Aimee to leave the neighborhood. Instead the intrepid sleuth keeps digging, but soon finds the investigation takes a side tangent involving her deceased father and buried under the soot of police indiscretions, scandals, and illegalities that seem to touch her not so clean friend. In her sixth French mystery, the Aimee Leduc tales are some of the best private investigative novels on the market over the past half a decade or so. MURDER IN MONTMARTRE is a bit darker than usual, but sill retains that powerful story line that grips the audience form the moment that the two long time friends discuss the murder. Fans will want to go with Aimee as she goes home to find clues to what went wrong in order to exonerate her buddy, but the mean streets of Montmartre are even gloomier and grittier than her nightmares. Cara Black is at her best with her latest murder in France thriller. Harriet Klausner