Much Ado about Murder

Kudos, applause, and a standing ovation for Anne Perry and this fantastic book of short stories. There are so many truly unique and amazing stories that it's hard to choose which is best. Some involve actual Shakespearean plots, including two of the funniest: Too Many Cooks, which is a hilarious take on Macbeth from the point of view of the three Weird Sisters, and The Fall of the House of Oldenbourg, which will assure that you never think of Hamlet the same way again. Those Are Pearls That Were His Eyes combines characters from The Tempest with Portia & her husband Bassanio of The Merchant of Venice as the most brilliant and beautiful Doctor of Laws solves a murder with Caliban as the accused. The beautiful Viola (disguised as Caesario disguised as Viola--shades of Victor/Victoria and Shakespeare in Love!) solves the murder of Olivia's brother in A Dish of Poison. Even two of the lesser known plays, Cymbeline and Measure for Measure feature in the stories. Some, like Anne Perry's excellent Ere I Killed Thee, deal with the players who perform these works. The bard himself appears in several of the stories, including Exit, Followed. . .and All the World's a Stage, and his death is investigated in The Serpent's Tooth. And Richard's Children can only be described as chilling. I wish that there had been stories based on Romeo and Juliet, The Taming of the Shrew, and Midsummer's Night's Dream, but perhaps there will be a volume 2. One can only hope. This is a fantastic book for mystery lovers and for Shakespeare lovers, but heaven for those who, like myself, love them both. Buy it, read it, and recommend it to your friends!

Much Ado about Murder submitted Jan. 5, 2003 It's "murther most foul" and what a delightful romp it is, to read a selection of some 17 shortstories dealing with crime in Shakespeare's own tales. With an introduction by Anne Perry, thiscollection explores "the human condition" that Shakespeare so delighted in presenting--but with atwist. These stories--each by different authors--takes a scene, characters, or situation and turns itinto an exloration of the crime. As these established authors (in their own "write") take a page fromthe Bard, the reader is the winner, as each of the stories is a delight to read. One's favorite willdepend, of course, upon one's Shakespearean preferences! For a creative and humorous approach to "Hamlet" (both the young man and the play), tryRobert Barnard's "The Fall of the House of Oldenburg." The Melancholy Dane has not beenpresented in such a fashion before. Barnard employs his usual skill in allusions, clever puns, andreferences to the original work. "Delightful" probably best describes this story. And for a more serious side, Edward Marston's "Squinting at Death" gives us another turnon the "Henry V" stories. Tragedy is not quite the same. Brendan DuBois enters into the world ofinternational conspiracies with "Richard's Children" and leaves the reader with more than just"food for thought." P.C. Doherty, to list another story, makes a most readable "mystery" out of Shakespeare'sown death, employing a few tricks in the writing trade to provide insight into an author's life (anddeath) that we really know very little about. And so it goes, a variety into the spice of Shakespeare's tales, with other stories by suchnotables as Peter Tremayne, Margaret Frazer, Jeffrey Deaver, Sharon Newman, and Simon Brett,to name a few. Clever, delightful, skillful, readable. This collection is well worth the effort! ([email protected])

All seventeen tales in this enchanting mystery collection depicts the world is an Elizabethan stage. Well known genre writers fill the anthology with strong sounds and fury making for an entertaining time for the spectators, but several are particularly excellent plays on Shakespeare's works leading to a quality rarely seen in a short story collection. The best stories are those that follow the Tom Stoppard approach (see Rosencrantz & Guildenstern Are Dead) by employing characters and allusions from the Bard's works with a twist like placing protagonists into a legal thriller or changing the focus of whom is the star. Except perhaps soliloquies of heresy from English literature professors or a complaint from the Dark Lady, MUCH ADO ABOUT MURDER is much ado about entertainment as Will is modernized by a genre crowd that pays homage to the great one in an all's well anthology.Harriet Klausner